International Council for Traditions of Music and Dance

A Non-Governmental Organization in Formal Consultative Relations with UNESCO

2012 Program - 3rd Symposium of the ICTM Study Group on Applied Ethnomusicology

INTERNATIONAL COUNCIL FOR TRADITIONAL MUSIC

3rd Symposium of the Study Group APPLIED ETHNOMUSICOLOGY

Hosted by the Cyprus Musicological Society

NICOSIA, CYPRUS, 18-22 April 2012

P R O G R A M

Wednesday, 18/4:

Arrivals

18.00-19.00 Registration, UNIVERSITY OF NICOSIA, CINE STUDIO

19.00 Opening ceremony, CINE STUDIO

Speakers:
-Panikos GIORGOUDES, Chair, Cyprus Musicological Society
-Maria HADJIPAVLOU, Chair, Department of Social and Political Science, University of Cyprus
-Nicos PERISTIANIS, President of the Council, University of Nicosia
-Official Representative of the Minister of Education and Culture

Opening remarks: Klisala HARRISON, Chair, Study Group on Applied Ethnomusicology, ICTM

Opening address: Svanibor PETTAN, Secretary General, ICTM: ICTM and Applied ethnomusicology: Challenges and perspectives

19.45 Cultural event - Cyprus traditional dances: “MERSINI” Dance & Music Group from the Paphos district

20.30 Cocktail dinner

Thursday, 19/4:

9.00-9.30 Registration, UNIVERSITY OF NICOSIA, UNESCO AMPHITHEATRE

9.30-11.00 Session 1, Conflict, mediation, reconciliation UNESCO AMPHITHEATRE
Sarah ROSS (Switzerland) and Britta SWEERS (Switzerland): The ethnomusicologist as cultural-political mediator: Applied work with migrants in Switzerland
Ray CASSERLY (Ireland): Divided peoples, shared traditions?
Inna NARODITSKAYA (USA): Music of rebels, from Red Square to Tahrir, from Chechens to home in Washington

Coffee break

11.30-13.00 Session 2, Social activism UNESCO AMPHITHEATRE
Carolyn LANDAU (UK): Researching Muslim musicking in London: Reflecting on the challenges of applied ethnomusicology
Pamela COSTES ONISHI (Singapore): Dynamics in the formation of arts interests groups in Singapore local communities

12.30-14.30 Lunch

14.30-16.00 Session 3, Social activism UNESCO AMPHITHEATRE
Klisala HARRISON (Finland/Canada): Applied ethnomusicology as an evaluative research method
Samuel ARAUJO (Brazil): Amidst walls, wired fences and armored cars; The sound heritage of post-industrial society
Jonathan P. J. STOCK (Ireland): Human research ethics systems and the institutionalization of applied ethnomusicology

16.30-18.00 Session 4, Talking circles UNESCO AMPHITHEATRE
The practices and challenges of applied ethnomusicology in relation to institutions I
Chairs: Britta SWEERS and Klisala HARRISON

18.00-19.00 Musical Event CINE STUDIO
-Traditional folk and art music from Asia Minor and the greater area of the Mediterranean: “KARSI” Music Group
-Cyprus music and songs: “OI LAS” Traditional Music Group

Friday, 20/4:

9.00-10.30 Session 5, Music and disability UNIVERSITY OF NICOSIA, UNESCO AMPHITHEATRE
Perminus MATIURE (Zimbabwe/South Africa): My lost sight, my street, my music (Film presentation)
Paola BARZAN (Italy): Let’s sing with him! A music therapy project in a junior high school class
Bernhard BLEIBINGER (South Africa): Cut fingers, university management and traditional music: Disabilities and responses in the context of a music program

Coffee break

11.00-12.00 Session 6, General assembly (business meeting) of the Study Group on Applied Ethnomusicology UNESCO AMPHITHEATRE
Chairs: Klisala HARRISON and Britta SWEERS

12.00 – 13.30 Lunch

13.30-15.30 Session 7, Conflict, mediation, reconciliation UNESCO AMPHITHEATRE
Leila QASHU (Canada): Singing to resolve conflict and bring retribution and justice: Ateetee, a musical vernacular dispute resolution process in Ethiopia
Kai ABERG (Finland): “All the Gypsy lads, raise their knives”; A historical and cultural meanings of boasting (quarrelling) songs of the Finnish Roma(Kaale)
Anthea SKINNER (Australia): “You’ve got to know when to blow and when to suck”: Changes in Australian military band policy and culture after World War II
Mike HAJIMICHAEL (Cyprus): Living with the Green Line – collaborative processes and production hierarchies in making music for peace in Cyprus

16.00-17.30 Session 8, Talking circles UNESCO AMPHITHEATRE
The practices and challenges of applied ethnomusicology in relation to institutions II
Chair, Africa discussion group: Bernhard BLEIBINGER
Chair, Australasia discussion group: Aaron CORN
Chair, North America discussion group: Leila QASHU
Chair, Northern and Western Europe discussion group: Jonathan STOCK
Chair, Southern and Eastern Europe discussion group: Paola BARZAN

Saturday, 21/4:

9.00-10.30 Session 9, Social activism UNESCO AMPHITHEATRE
Dimitris PAPANIKOLAOU (Greece): The world in crisis; social activism with music: absence of intention and desultory “artivism”
Andreas TSIARTAS (Germany/Cyprus): Music and rite between oral traditions and virtual realities
Jonathan NCOZANA (South Africa): Generating a mindset of communal responsibility; marimba workshops in Hogsback and Alice, South Africa

Coffee break

11.00-13.00 Session 10, Conflict, mediation, reconciliation UNESCO AMPHITHEATRE
Panel: Music as a tool in the Cyprus conflict resolution
Chair: Panikos GIORGOUDES
Panelists:
1. Edwin SEROUSSI
2. Nicos PERISTIANIS
3. Costas CONSTANTINOU
4. Maria HADJIPAVLOU
5. Engul ATAMERT

13.00 – 14.30 Lunch

14.30-16.30 Session 11, Social activism UNESCO AMPHITHEATRE
Aaron CORN (Australia): Applying ceremonial structures to academic discourses: Exploring Australia’s annual Symposium on Indigenous Music and Dance as an intercultural nexus for shaping new discursive modalities
Marija DUMNIC (Serbia): Urgent ethnomusicology in Serbia: Phonoarchive of the Institute of Musicology of Serbian Academy of Sciences and Arts
Sally TRELOYN (Australia) and Andrea EMBERLY (Canada): Educating who? Redressing inequities in and out of the classroom through Indigenous community-based arts education in northwest Australia
Sofia WEISSENEGGER (Austria): Presentation of the School Project “With all Senses”

17.00-18.30 Session 12, Talking circles and final discussion

21.00 Rebetiko music with “NEOREBETES” Group: Hilton Park Hotel

Sunday, 22/4:

Departures

Tours and Excursions

Program Committee:
Klisala Harrison, Chair (Finland/Canada),
Samuel Araújo (Brazil),
Britta Sweers (Switzerland),
Patricia Opondo (South Africa),
Panikos Giorgoudes (Cyprus),
Aaron Corn (Australia),
Hanna Väätäinen (Finland),
Tan Sooi Beng (Malaysia)

Local Organizing Committee:
Panikos Giorgoudes, Chair,
University of Nicosia: Andry Protopapa, Emilios Solomou,
University of Cyprus: Maria Hadjipavlou,
Cyprus Musicological Society: Kalipso Apergi, Anthoula Hadjiantoni, Christos Christoforou, Maria Hambi