A Non-Governmental Organization in Formal Consultative Relations with UNESCO
Post Graduate Symposium Joint Meeting
To be held on 28th September – 1st October
Band Room,
The
14:30-17:30 Meet at the
17:30-19:30 Meet at the
Tuesday 28 September
9:00-10:30 Welcoming Address:
Keynote: Adrienne L. Kaeppler
Capturing Music and Dance in an Archive: A Meditation on Imprisonment
Chair: Denis Crowdy
10:30-11:00 Morning Tea
Session 1: Chair, Stephen Wild
11:00-13:00 National Recording Project for Indigenous Performance in
Allan Marett
Neparrnga Gumbula
Sally Treloyn
13:00-14:00 Lunch
Session 2: Chair, Karl Neuenfeldt
14:00-14:30 Don Niles
“Turning Heads,” “Cooking Noses,” and “Carrying Legs”: Archival Research and Courting Dances in the Papua New Guinea Highlands
14:30-15:00 Masaya Shishikura
Echoes of Coral Dust: Song Lyrics as Tangible Records in Search of Historical Truthfulness
15:00-15:30 Michael Webb
Towards an understanding of colonial composition in
15:03-16:00 Afternoon Tea
Session 3: Chair, Kirsty Gillespie
16:00-16.30 Helen Black
Fijian Meke – Indigenous Music – Whose Ownership, Whose Rights?
16:30-17:00 Brian Diettrich
‘The Contents of the Mat’: Cultural Perspectives on Music, Intangible Heritage, and Research in
17:00-17:30 Julie Toliman-Turalir
RADAMATAN (Tearing the Leaf)
Wednesday 29 September
Session 4: Chair, Kati Szego
9:00-9:30 Alex Francois
Holem taet kastom: A disc project from north
9:30-10:00 Kirsty Gillespie
Between a rock and a hard place: Applied ethnomusicology in the context of a gold mine’
10:00-10:30 Karl Neuenfeldt
Collaboration, Negotiation and Documentation: Producing
10:30-11:00 Morning Tea
Session 5: Chair, Brian Diettrich
11:00-11:30 Naomi Faik-Simet
The Significance of the Gunge Takwaku Dance in the Kraku-Bandi Female Initiation Ceremony
11:30-12:00 Kuki Tuiasosopo
TOE TI MATA LE UPEGA: Re-enforcing Student Learning Outcomes at the
12:00-12:30 Yukihiro (Jungarrayi) Doi
Milpirri: A Bridge that Joins the Ancient with the Contemporary
12:30-13:30 Lunch
Session 6: Chair, Allan Marret
13:30-15:00 Decolonising Ethnomusicology in
Dan Bendrups
Sala Solomona
15:00-15:30 Afternoon Tea
18:00-19:30 ANU Public Lecture
Presenter: Don Niles
Title: Audiovisual Archives: Researcher’s delight or just a tease?
Introduction by Mandy Thomas, Pro Vice -Chancellor (Research & Graduate Studies), The
Chair, Stephen Wild
Thursday 30 September
9:00-10:30 Keynote: Kati Szego
“Ghost Gestures” and Fantastic Memories: What Writing Musical Experience Can Tell Us
Chair: Adrienne L. Kaeppler
10:30-11:00 Morning Tea
11:00-12:30 Session 6: Chair,
Samuel Curkpatrick
Crossing Over - creating a past for the future
Julie Rickwood
Singing in Between?: The experience of ‘Cultural Inter-relatedness’ in Community Singing
Denis Crowdy
Diversity of recorded music production practice versus diversity of musical style in
12:30-13:30 Lunch
Session 7: Past Practices into the Present
Chair: Masaya Shishikura
13:30-14:00 Laura Van Rijn
Conforming to Standards: How the History of Symphony Orchestras Impacts Flute Auditions Held Today
14:00-14:30 Bradley Kunda
Trends and innovations in guitar fingering from ca. 1790-1830: selected methods and notated scores as evidence of performance practice conventions
14:30-15:00 Lay Yen Soh
Dampened Enthusiasm
15:00-15:30 Afternoon Tea
16:00-17:30 Business Meeting for the
18:00 Joint Dinner (
Friday 1 October
9:00-10:30 Keynote: Jane Davidson
The role of bodily movement in making music and understanding Western musical experience: exploration of theoretical contextualisation and case study observation
Chair:
10:30-11:00 Morning Tea
Session 8: Reflections on Past Performances
Chair: Laura Van Rijn
11:00-11:30 Anthony Smith
‘Adieu, Farewell Earth’s Bliss’: thanatos and eros in the Finale of Constant Lambert’s Piano Sonata
11:30-12:00 Katrina M. Hunt
Ethel Merman (1908-1984): The Doll from
12:00-12:30 Andrew Baker
Violin Pedagogy – A Plethora of Opinion: a motive for Rigorous Investigation
12:30-13:30 Lunch
Session 9: Reading Textuality of Musical Pasts
Chair: Samuel Curkpatrick
13:30-14:00 Georgia Pike
Exploring Notions of Excellence in Community Music Making in Antiquity
14:00-14:30
A comparative analysis of the recitativo in two composers' settings of Federico's libretto: La serva Padrona
14:30-15:00 Di Chenoweth
Using Conversation Analysis to Explore the Significance of
Staged Slovak Music Folklore
15:00-15:30 Afternoon Tea
15:30-16:30 (Round Table)
Chair: Alistair Noble