Each session, in addition to its title, has a unique identifier consisting of three components: a Roman numeral, a capital letter, and a room code. The Roman numeral refers to the day of the conference (I-VII), while the capital letter indicates a particular time period within each day: A = early morning, B = late morning, C = early afternoon, D = late afternoon, and E = evening. As an example, the identifier IIC05 describes a session held on the second day of the conference, in the early afternoon, in room 05.
Rooms CH, 01, and 02 are located in the University's Foundation Building; rooms 03-12 are located in the University's Main Building; and rooms W1-9 are located in the building of the Irish World Academy of Music and Dance.
Organised Panels are identified with an asterisk ("*") preceding the name of the panel.
This is the Final Programme as of 12 July 2017. There may be further small changes (due to withdrawal of a few presenters and chairs) but we do not expect any major changes between now and the beginning of the conference. Please check for recent changes made as the programme was significantly consolidated.
Mohd Anis Md Nor & Stephen Wild
Co-Chairs, Programme Committee, 2017 ICTM World Conference
Final Conference Programme
Thursday, 13 July 2017
| IACH |
Opening Ceremony |
| 09:00 |
|
Welcome addresses and performances by the students of the Irish World Academy of Music and Dance |
11:00–11:30 Morning tea
| IBCH |
Keynote address (Salwa El-Shawan Castelo-Branco) |
| 11:30 |
Mícheál Ó Súilleabháin |
The Redress of Music: Music, Mediation, and Parity of Esteem |
13:00–14:30 Lunch
| IC01 |
70 YEARS OF THE IFMC/ICTM (Don Niles) |
| 14:30 |
Edwin Seroussi (read by Svanibor Pettan) |
Reevaluating Folk and Traditional thirty-five years after the IFMC/ICTM turn |
| 15:00 |
Marc-Antoine Camp |
The Basle Conference of 1948 |
| 15:30 |
Jörgen Torp |
Music Composition and Dance Studies: Some Aspects of the Work of IFMC 1947 founding members |
| 16:00 |
Ying-fen Wang |
IFMC, Masu, Kurosawa, and Their Recordings of Taiwanese Music |
| IC02 |
* Analysing the concept of legacy in arts and education (Egil Bakka) |
| 14:30 |
Ann David |
Legacies and Imaginations: Indian Dancer Ram Gopal’s International Dance performances, 1938-1960 |
| 15:00 |
Marit Stranden |
Developing a new artistic legacy: Performer – audience interaction: a new way of transmitting bodily knowledge of Norwegian traditional dance |
| 15:30 |
Egil Bakka |
University programs as legacies – sources, constructions and practices |
| IC03 |
Roundtable — Ethnicity, Religion, and Nationalism in Dialog: The Transformation of Performing Arts in Southeast Asia |
| 14:30 |
Anne K. Rasmussen, Chair |
Panellists: Sumarsam, Christine May Yong, Ako Mashino, Lawrence N. Ross, Anne K. Rasmussen |
| IC04 |
* Interpersonal entrainment in music performance: Analysing musical interaction in audiovisual recordings (Rainer Polak) |
| 14:30 |
Martin Clayton |
Interpersonal entrainment in music performance |
| 15:00 |
Rainer Polak |
How West African drummers keep in time together: Ensemble entrainment and musical roles in jembe music from Mali. |
| 15:30 |
Martín Rocamora |
Interpersonal music entrainment in Afro-Uruguayan Candombe drumming |
| 16:00 |
Filippo Bonini Baraldi |
Measuring timing asynchronies in Gypsy musical performances (Romania) |
| IC05 |
Films (Anne Caufriez) |
| 14:30 |
Anne Caufriez |
Portuguese working songs for agricultural tasks and Portuguese entertainment songs from the countryside |
| IC06 |
MUSIC, STRUGGLE AND CULTURAL POLICY (Huib Schippers) |
| 14:30 |
Kirsten Seidlitz |
Music, Limitations, and Immigration: The Struggle of Non-Conformist Musicians from Turkey and their Musical Expression in Germany |
| 15:00 |
Daniel Fredriksson |
Musical collaboration – or cooperation? Exploring newspeak in Swedish arts policy |
| 15:30 |
Ignacio Ramos & Simón Palominos |
Historical development and current challenges of folklore in Chile: a cultural policy approach |
| IC07 |
ENCOUNTERS, COMPARISONS AND RELATIONSHIPS BETWEEN TRADITIONAL MUSICS AND DANCE (Tan Sooi Beng) |
| 14:30 |
Elise Gayraud |
An imagined community? Encountering the Other’s cultures at grass-root international initiatives in traditional music |
| 15:00 |
Himalaya K Gohel |
Observations on the relationship between traditional music and dance: A case study in Mer community dance from Saurashtra, India |
| 15:30 |
Heeyoung Choi |
Multi-Cultural Settings in Hawai`i: An Analysis of the Balboa Day Festival |
| IC08 |
* Explosions of Creativity in Space & Time: Atmospheres and Musical Innovation in the Course of Performance (Polina Dessiatnitchenko) |
| 14:30 |
Sofia Svarna |
Familiar Otherness and Unfamiliar Selfness: Creativity Challenges of “East” and “West” within a Greek Operatic Production |
| 15:00 |
Sonja Kieser |
The Ronda: Social Implications on Creativity in Performative Spaces of Italy |
| 15:30 |
Polina Dessiatnitchenko |
Performing “Explosions of Mugham Thinking”: Creativities of Azerbaijani Mugham in Post-Soviet Azerbaijan |
| 16:00 |
Maxime Le Calvé |
The Lively Atmosphere of an Outstanding Electronic Music Venue: the Effects of Creative Explosions in a Sound Combustion Chamber Named “Golden Poodle Club” (Hamburg) |
| IC09 |
THE SUSTAINABILITY OF FOLK TRADITIONS (Marcia Ostashewski) |
| 14:30 |
Daithí Kearney |
A quest for meaning in Irish folk traditions: the legacy of Fr Pat Ahern |
| 15:00 |
Daniela Ivanova-Nyberg |
Folk Dance as Obsolete vs Folk Dance as Vital: Field Research and Study in the USA |
| 15:30 |
Sevilay Çinar |
Turkish Women Folk Dance and Music: A Case of Musical Gatherings |
| IC10 |
MUSIC, DANCE, THEATRE AND IDENTITY IN DIASPORIC CONTEXTS (László Felföldi) |
| 14:30 |
Suzuki Manami |
Changes in religious dance and music in diaspora: Alevi and semah in the multi-ethnic nation of Austria |
| 15:00 |
Mi Pengxuan |
Chaozhou Opera in Malaysia: Preservation and Cultural Identities of a Chinese Traditional Opera in a Diasporic Context |
| 15:30 |
Mei Han |
When the Old Meets the New - The Identity transformation of the Chinese Zheng under A Conservatory Pedagogy |
| IC11 |
MUSICAL INSTRUMENTS: CODIFICATION, WESTERNIZATION, STANDARDIZATION AND ETHNIC INFLUENCES (Waseda Minako) |
| 14:30 |
Aurélie Helmlinger |
“Panepedia”: for a comprehensive organology of steelpans |
| 15:00 |
Esra Berkman |
From Folk Music Instrument To Western Style Soloist Instrument: Kanun In The Caucasus During The Soviet Era |
| 15:30 |
Waseda Minako |
The Japanese-American lineage of the ‘ukulele: Ethnic others as a changing force for a Hawaiian musical instrument |
| IC12 |
MUSIC AND HISTORY: PERSONAL, EMBODIED, POLITICAL AND REPATRIATED (Balraj Balasubrahmaniyan) |
| 14:30 |
Elina Seye |
How to become visible? Personal histories of African musicians in Finland |
| 15:00 |
Ilwoo Park |
In and out of tune with history: musical performance as the embodiment of the Irish historical experience |
| 15:30 |
Damascus Kafumbe |
Musical Performance, Inter-Clan Repatriation, and Oral History in Buganda |
16:30–17:00Afternoon tea
| ID01 |
* Unknown Legacies of Mariachi Music: New Patterns, Directions and Regularities (Leonor Xochitl Perez) |
| 17:00 |
Lauryn Salazar |
Archival Research on Early Mexican-American Music in California |
| 17:30 |
Leonor Xochitl Perez |
Safety and Risk: The Globalization of the Male Mariachi Tradition by Mexico's Mariachi Women Pioneers |
| 18:00 |
Jessie M. Vallejo |
Claiming Cuba's Mariachi Legacy |
| ID02 |
THE EMERGENCE OF CHINESE DANCE THEATRE AND THE LEGACY OF PEKING OPERA (Jonathan P.J. Stock) |
| 17:00 |
Jia-Xin Sun |
“Why Do We Dance”? Pina Bausch’s “Tanztheater” and the Emergence of Chinese Dance Theater |
| 17:30 |
Huan Li |
Reshaping Performance Skills: Peking Opera Legacy, Institutional Training, and Qinshi’s Performance Activities in Reform China |
| 18:00 |
Hsieh Chieh-ting |
Dance as the Figure of Music: the dynamics of nan-kuan music and dance in Chen Mei-e’s work |
| ID03 |
* The Plane Truth: Academic flying, climate change, and the future of music research (Aaron Pettigrew) |
| 17:00 |
Catherine Grant |
Music sustainability, climate change, and the paradox of academic flying: A personal reflection on a personal and professional problem |
| 17:30 |
Megan Collins & Aaron Pettigrew |
Make nature your teacher: Local framings of academic hypermobility
...And boy are my arms tired: Strategies for sustainable practice in performing arts research |
| ID04 |
MUSEUMS, ARCHIVES, COLLECTIONS AND ACTIVATION OF LEGACIES (Stephanie Smith) |
| 17:00 |
Jennifer Deirdre Gall |
Listening to the Past - Performing the Past: activating historical music collections and musical instruments to reveal the invisible legacies hidden in Australian house museums |
| 17:30 |
Jia Yi |
Leaves Blew Away and Become New Roots: a Discussion about the Chinese Nanyin Bands in Singapore |
| 18:00 |
Don Niles |
Prosperity through ‘Cultural Terrorism’? Changing Official Attitudes towards Tradition and Diversity in Papua New Guinea |
| ID05 |
MUSIC AND DANCE OF ETHNIC MINORITIES (Otgonbayar Chuluunbaatar) |
| 17:00 |
Ling Jiasui |
Local Elites and Transformation of Minority Music |
| 17:30 |
Wenzhuo Zhang |
The Musical Legacy and Education of Ethnic Minorities in Communist China |
| 18:00 |
Otgonbayar Chuluunbaatar |
New insights into the Jangar Epic: a dance song of a small ethnic minority in Mongolia |
| ID06 |
MUSIC AND DANCE AS INTANGIBLE CUTURAL HERITAGE (Terada Yoshitaka) |
| 17:00 |
Simon McKerrell |
Repositioning the value of traditional music as intangible cultural heritage, commodity, commerce and tacit heritage |
| 17:30 |
Andreas Otte |
Teaching Greenlandic Polka in Public Schools – Facilitating Learning of Intangible Cultural Heritage |
| 18:00 |
Sun Fan |
Experiment and observation on survival methods of China's intangible cultural heritage of the present: the example of Yichang sizhu |
| ID07 |
DIGITISING FOLK AND TRADITIONAL MUSIC AND DANCE (Kendra Stepputat) |
| 17:00 |
Daniel Tércio |
Crossing tracks towards a dance database |
| 17:30 |
Lucy Wright and Simon Keegan-Phipps |
Digital Folk’ and the new ‘oral’ traditions |
| 18:00 |
Lynnsey K Weissenberger |
Linked Data Ontology Creation and Irish Traditional Music |
| ID08 |
REVIVAL AND TRANSFORMATION OF TRADITIONAL MUSIC AND FOLKLORE (Judith E. Olson) |
| 17:00 |
Matej Kratochvil |
“You cannot play it like this!”: Musicians between folklore revival and transformed traditions |
| 17:30 |
Elena Shishkina |
Revival of traditional musical culture of repressed ethnic groups in Povolzhie in the context of modern Russian cultural discourse |
| ID09 |
AESTHETIC CONSIDERATIONS OF TRADITIONAL MUSIC (Elizabeth Tolbert) |
| 17:00 |
Mei-Yen Lee |
A Discussion on the Practical Significance of Guqin Aesthetics of His-Shan’s Epithets on Guqin Music in terms of the tune “Mist and Cloud over Xiao-Xiang Rivers” of Da Huan Ge Qingpu |
| 17:30 |
Terauchi Naoko |
To be a ‘cloth hanger’: the aesthetics of imperial bugaku dance of Japan |
| ID10 |
LEGACY AND CHANGE IN TRADITIONAL MUSIC (Margaret Sarkissian) |
| 17:00 |
Alexander Rosenblatt |
Patterns of Global Change: Maronite Music at Home and in the West |
| 17:30 |
Oyuna Weina |
You Can’t Sing Urtiin Duu if You Don’t Know How to Ride a Horse’: Urtiin Duu in Alshaa, Inner Mongolia |
| 18:00 |
Naomi Cohn Zentner |
Performing dance-tunes at the ritual Sabbath table |
18:30–20:00 Dinner
20:00Welcome reception, with the support of the Office of the President, University of Limerick. Location: Atrium, Foundation Building
Friday, 14 July 2017
| IIA01 |
* Multiculturalism, Hybridity and Cultural Identity: the Representations in Traditional Performing Arts of Overseas Chinese in Southeast Asia (Tsai Tsung-Te) |
| 09:00 |
Tsai Tsung-Te |
Whose Wayang Kulit it is?: Cultural Construction and Ethnic Identity of Wayang Cina-Jawa |
| 09:30 |
Chen Ching-Yi |
Promoting Cultural Heritage, Hybridity and Visuality: The Rebranding of Modern Chinese Music (Huayue) and Neo-Traditional Chinese Music Ensembles in Singapore |
| 10:30 |
Chen Sheng-Yuan |
Cultural Imagination and Reconstruction—Examples from Performing Arts of Indonesian-Chinese in Yogyakarta, Indonesia |
| IIA02 |
Roundtable — Minorities Emergent: A Challenge from Migration |
| 09:00 |
Adelaida Reyes, Chair |
Panellists: Gerda Lechleitner, Alessandra Ciucci, Dan Lundberg, Naila Ceribašić |
| IIA03 |
INTERGENERATIONAL TRANSMISSION OF MUSICAL LEGACIES (Huib Schippers) |
| 09:00 |
Matthew Noone |
Legacy, transmission and postmodernity: an autoethnographic account of North Indian classical music through 3 vignettes |
| 09:30 |
Samantha Dieckmann |
Lullaby Legacies: Intergenerational Knowledge Transmission and Intercultural Exchange in Melbourne |
| 10:00 |
Yang Shuo |
Past, Present, and Future: A Case Study of Music Transmission Within Zhao Piding’s Family |
| 10:30 |
Dawn Corso |
Remote Learning Contexts: Representation, Continuity, and Change in the Transmission of Irish Traditional Music Outside Ireland |
| IIA04 |
THE ROLE OF RELIGION IN MUSICAL PRACTICE AND THEORY (Xiao Mei) |
| 09:00 |
Jocelyn Clark |
Preserving Shamanic Ritual as National Treasure in an Increasingly Christian State |
| 09:30 |
Jonathan McCollum |
‘The Sound of One Hand Clapping’: Sound and Gesture in the Ritual Enactment of Zazen in Sotō and Rinzai Zen Buddhism |
| 10:00 |
Francesca Cassio |
Notes of Resistance. The Sikh Music Renaissance as a Response to ‘Spectacular and Systemic Violence’ |
| IIA05 |
Films (Randal Baier) |
| 09:00 |
Yohanes Hanan, Akiko Nozawa, Bambang Sugito |
Music for The Lord of Mountain: Identifying Music Instruments in Candi Penataran, East Java (12th – 14th Century) |
| 09:30 |
Isabella Pek |
Dissolving Borders: The Changing And Renewal Of Malaysian Traditional Music |
| IIA06 |
DECODING MUSICAL MEANINGS IN VOCAL MUSIC (Ingrid Åkesson) |
| 09:00 |
Athena Katsanevaki |
“What is there in a musical form?” “Hidden” messages in the vocal tradition of Western Macedonia in Greece |
| 09:30 |
Bonnie B. McConnell |
My Mother’s Songs: Music, Gender, and Islam in The Gambia |
| 10:00 |
Peter George Fielding |
The Gaelic Vocal Repertoire of Nova Scotia |
| 10:30 |
Huang Wan (黄婉) |
Voices from an Unsealed ‘Time Capsule’: Decoding the Vocal Styles in Okinawan Folksong Singing by Argentinian-Uchinanchu |
| IIA07 |
MUSIC AND THE REPRESENTATION AND PROTECTION OF CULTURE (Zuzana Jurková) |
| 09:00 |
Rolf Killius |
From the Pearling Ships into the Museum? Traditional Music, an important part of Intangible Cultural Heritage (ICH) in the Persian/Arabian Gulf, and its representation in the region’s museums |
| 09:30 |
Jarkko Niemi |
Rethinking the possibilities of textualisation of performances of culture: examples from musical materials from the Siberian indigenous North |
| 10:00 |
Hannah Balcomb |
The Power of Copyright Language to Visibilize Argentine Indigenous Groups |
| 10:30 |
Dorit Klebe |
Germany ICTM Since the Reunion of the ICTM National Committees of the &Quot;Two Germanies&Quot; in 1990: Challenging The Ethnomusicologist's Scholarly Tasks and Objectives of Eastern/Western German And Multiethnic Communities Up To Those Of Recent Large-Scale Refugee |
| IIA08 |
ANALYSIS AND COMPARISON OF MUSIC, TEXT AND MOVEMENT IN FOLKSONG PERFORMANCE (Razia Sultanova) |
| 09:00 |
Yi Miao Su |
Characteristics of textual inflection in beima sutra chanting of Nisu people of the Yi ethnicity and studies on the logic of text-melody relationship |
| 09:30 |
Dalia Urbanavičienė |
Movement/music/lyrics analysis of Lithuanian singing games |
| 10:00 |
Kristin Elisabeth Borgehed |
Reconsidering the Tonality Concept by Increasing the Understanding of Intonation and Tonal Variations in Folk Singing |
11:00–11:30 Morning tea
| IIB01 |
Celebratory Roundtable — The Relations of IFMC/ICTM with UNESCO |
| 11:30 |
Naila Ceribašić, Chair |
Panellists: Naila Ceribašić, Don Niles, Anthony Seeger, Krister Malm, Wim van Zanten |
| IIB02 |
DIVERSE PRESENTATIONS AND REPRESENTATIONS OF CULTURE THROUGH MUSIC AND DANCE (Colin Quigley) |
| 11:30 |
George Murer |
The Sound Shape of Granî: The cultivation of new dance/music genres and repertoires by instrumentalists and their publics in North Kurdish cultural zones |
| 12:00 |
Kirk Sullivan |
Diverse Representational Choices of “Culture” at the 2016 Festival of Pacific Arts |
| 12:30 |
Prerna Pradhan |
No Woman’s Land: Subverting the notion of Female Impersonation and Negation of Female presence in the Devi Pyakham dance form of Nepal. |
| IIB03 |
* Sidney Robertson Cowell (1903-1995): An American Pioneer of the Ethnomusicological Documentation of Folk Music (discussant: Nancy Groce) |
| 11:30 |
Camille Moreddu |
The impact of Sidney Robertson's musical and intellectual formation in her collecting methods and her definition of American folk music. |
| 12:00 |
Catherine Hiebert Kerst |
Return to the Appalachians: Maud Karpeles and Sidney Robertson Cowell Retrace the Steps of Cecil Sharp. |
| 12:30 |
Deirdre Ní Chinghaile |
"The Yank with the Box": Sidney Robertson Cowell collects music in 1950s Ireland |
13:00–14:30 Lunch
| IIC01 |
* Ritual, Dance and Legacy (Georgiana Gore) |
| 14:30 |
Andrée Grau |
Tiwi classical rituals in the age of hypercapitalism |
| 15:00 |
Csilla Könczei |
Ritual: a time-tunnel to legacy? |
| 15:30 |
Barbara Čurda |
Legacy, ritual and the dancer’s trajectory in the Indian classical dance Odissi |
| 16:00 |
Georgiana Gore |
Legacy displaced: Enacting the Nigerian Edo Igue festival in Dublin, Ireland |
| IIC02 |
* Female Representation in Academia and Music Education (Gertrud Maria Huber) |
| 14:30 |
Sara Selleri |
Issues of Transmission and Re-Presentation: Interchanges between Socio-Cultural Practices and Music Education. |
| 15:00 |
Nissen, James |
Gender Agenda? The Representation of Women in world music education in the UK. |
| 15:30 |
Bloderer, Joan |
Aspects of gender in the world of the zither |
| 16:00 |
Huber, Gertrud Maria |
The Alpine zither backstage: academic lectureship and women |
| IIC03 |
RESEARCH ETHICS, THEORY AND METHOD IN ETHNOMUSICOLOGY (Ted Solís) |
| 14:30 |
Jonathan Stock |
Research Ethics: Historical Perspectives, Future Opportunities |
| 15:00 |
Belma Kurtişoğlu |
Legacy of A. Ahmet Saygun |
| 15:30 |
Ulrich Morgenstern |
Towards the History of Ideas in Ethnomusicology. Theory and Method between the Late 18th and the Early 20th Century |
| IIC04 |
* Exploring music and dance as a unitary phenomenon in theory and practice (Patricia Matusky) |
| 14:30 |
Patricia Matusky |
Puppet Movement and Music in the Malay Shadow Play: Intrinsic/Extrinsic-Surface/Deep Relationships in Theory and Practice |
| 15:00 |
Made Mantle Hood |
Integrated Sonic and Movement Systems as Inductive Determinants of Cultural Expression in Balinese Performing Arts |
| 15:30 |
David Harnish |
Gendang Beleq: The Negotiation of a Music/Dance Form in Lombok, Indonesia |
| 16:00 |
Mohd Anis Md Nor |
Searching for the Beat, Seeking for the Rhythm: Musicking Interstices in Malay Zapin. |
| IIC05 |
EMBODYING, REINAGINING AND ANALYSING MUSIC AND DANCE LEGACIES (Daniela Stavělová) |
| 14:30 |
Caroline Bithell |
Gems and Gymnastics: Embodying and Reimagining Music and Dance Legacies in Post-Soviet Georgia |
| 15:00 |
Yukako Yoshida |
Laughing at our imperfect body: Representations of physical impairments in the Balinese masked dance-drama topeng |
| 15:30 |
Zelma Badu-Younge |
Music Through the Eyes of an African Dancer: Intellectualizing the Body’s Movement to Music |
| 16:00 |
Marita Fornaro |
Music, body and costumes in Uruguayan murga: an analysis from a rhetoric perspective |
| IIC06 |
HERITAGE PRESERVATION THROUGH TRANSNATIONALISM, PRIVATE SECTOR DEVELOPMENT, RESILIENCE AND REPRODUCTION (Juliette O’Brien) |
| 14:30 |
Elina Djebbari |
Dancing Salsa in Benin: Transnationalism, Heritage Imaginary and Memory of the Local |
| 15:00 |
Alyssa Mathias |
Heritage Preservation for a Hye-Tech Future: Folk Music and Private Sector Development in Post-Soviet Armenia |
| 15:30 |
Robin P. Harris |
Life and Death in Siberia: Keys to Resilience for Intangible Cultural Heritage |
| IIC07 |
Roundtable — Aspects of the Scottish Dance Mosaic |
| 14:30 |
Patricia Ballantyne, Chair |
Panellists: Mats Melin, David Francis, Patricia Ballantyne, Wendy Timmons |
| IIC08 |
* Balkan Fantasias: Subverting Frontiers through Music (Jeffrey P Charest) |
| 14:30 |
Nicki Maher |
Submission or Subversion? The Transformation of the Moiroloi in Greek Epiros |
| 15:00 |
Jeffrey P Charest |
Song of the Frontier Warrior: Mercenaries, Brigands and Border Guards as Transmitters of the Balkan Tambura |
| 15:30 |
Roderick Lawford |
“Perverting the Taste of the Nation”: Manele and the Balkan Question in Romania |
| 16:00 |
Sinibaldo De Rosa |
Past and Future Alevi Semah-s on the Stage |
| IIC09 |
MIGRATION, TRANSPLANTATION, INTERPRETATION AND LEGACY INHERITANCE OF MUSICAL CULTURES (Deborah Wong) |
| 14:30 |
Andrew Terwilliger |
Bamboo-zling Traditional Boundaries: Guoyue as a Bridge Between East and West |
| 15:00 |
Bussakorn Binson |
Migration, Transplantation & Threatened Extinction of Tai Yai Musical Culture |
| 15:30 |
Le-Tuyen Nguyen & Huynh Khai |
The first Western score of Tài tử music: contexts, interpretation, and hypothesis |
| IIC10 |
MUSICAL INFLUENCE AND IMPACT IN CROSS-CULTURAL CONTEXTS (Elizabeth Tolbert) |
| 14:30 |
Natasa Chanta-Martin & Evanthia Patsiaoura |
Praise-worship’ in a ‘foreign’ land: choreo-musical dynamics of Nigerian Pentecostal evangelization and public perception in Greece. |
| 15:00 |
Flora Henderson |
Talking about texture: Gesture and timbre in Japanese-western cross-cultural music |
| 15:30 |
Sayeem Rana |
Texture of Baul Tune: ‘Tantric’ and ‘Dehabadi’ Impact from Ancient Bengali Music |
| IIC11 |
RELIGIOUS MUSIC IN SECULAR CONTEXTS (Sumarsam) |
| 14:30 |
Wangcaixuan Zhang |
Refirguring Buddha in Secular Soundscape: Ownership of Religious Legacy in Contemporary Taiwan |
| 15:00 |
Rafique Wassan |
The SKETCHES Sufi band: Socially engaged activist music in Sindh |
| IIC12 |
MEETING (Svanibor Pettan) |
| 14:30 |
|
Assembly of Study Group Chairs |
16:30–17:00 Afternoon tea
| IID01 |
* Legacies of the Hawaiian Plantation; Layers of History and Agency (Ted Solís) |
| 17:00 |
Ted Solís |
Form as Iconic Performance in a Fading Hawaiʻi Puerto Rican Sung Poetry Tradition |
| 17:30 |
Ricardo D. Trimillos |
The State and Multicultural Hawaiʻi: Constructing a Legacy |
| 18:00 |
Christine R. Yano |
Building Legacies Off-Shore: Hawaiian ʻUkulele in Japan |
| IID02 |
* ICTM and Macedonia – Reflections, Influences and Contributions (Velika Stojkova Serafimovska) |
| 17:00 |
Filip Petkovski |
Pre – ICTM connections: European folk dance festivals as a platform for a first meeting |
| 17:30 |
Ivona Opetcheska Tatarchevska |
ICTM Dance connections in Macedonia |
| 18:00 |
Velika Stojkova Serafimovska |
ICTM and Macedonia – ethnomusicological influences and contributions |
| IID03 |
* Representations of Gender and Sexuality in Academia and on the Stage (Barbara L. Hampton) |
| 17:00 |
Ellen Koskoff |
SEM Headline: Ethnomusicologist Turns Music Theorist |
| 17:30 |
Shzr Ee Tan |
Performing the Closet: Gay Anti-identities in Singaporean a cappella Choirs |
| IID04 |
DUTCH AND BASQUE MUSIC TRADITIONS (Huang Wan) |
| 17:00 |
Evert H Bisschop Boele |
Negotiating the Legacy of the Sea. Conceptualizations of the Maritime Past, Present and Future in the Dutch Shanty Choir Community |
| 17:30 |
María Escribano del Moral |
The Basque Txalaparta: The making of music on a par with the making of nation |
| IID05 |
Films (Yu Hui) |
| 17:00 |
Leonardo D'Amico |
Bulang Music: From the Mountains to the Stars |
| 17:45 |
Joyce Sze Wing Lau |
Sounding Treasures: The Reconstruction of the Sound of 1960s/70s Cantonese Music |
| IID06 |
* Lalingedan (Nose Flute) by Sauniaw Tjuvelievelj in Taiwan: Music Characteristics, Gender, and Transmission (Ma Ming-Hui) |
| 17:00 |
Ming-Hui Ma, Sauniaw Tjuvelievelj |
A Study of the Traditional Music Characteristics of Lalingedan by Sauniaw Tjuvelievelj in Taiwan |
| 17:30 |
Ya-Chen Lee |
“Listen! The Creative Voice of an Indigenous Woman”: Reconstruction of Gender Roles in Taiwanese Paiwan Two-Pipe Nose Flute |
| 18:00 |
Ming-Yen Lee |
The Invention of Aboriginal Music: Paiwan Two-Pipe Nose Flute Transmission in Contemporary Taiwan |
| IID07 |
SYNCRETISM, HIBRIDIZATION AND CROSS-OVER IN MUSICAL TRADITIONS (Andrew Terwilliger) |
| 17:00 |
AOYAGI Takahiro |
Inventing a new Tradition: Musical Hybridization and Japanese Modern |
| 17:30 |
Daniel Avorgbedor |
Interrogating Genre-Crossing And Hybridity: Examples From Africa And The African Diaspora |
| IID08 |
PERFORMING GENDER AND FEMININITY (Debanjali Biswas) |
| 17:00 |
Luo Ai Mei |
Femininity as Taiwanese New Hakka Ethnicities: Lo Sirong and Her Songs |
| 17:30 |
Ann E. Lucas |
His Music, Her Band: Performing Fame, Dance and Gender at the 2016 Ahlan wa Sahlan Bellydance Festival. |
| 18:00 |
Eliana Gilad |
Sound, Science, And The Ancient Feminine Voice |
| IID09 |
PERFORMING IDENTITY IN MUSIC AND DANCE (Jeanette Mollenhauer) |
| 17:00 |
Michael A Young |
Confronting Legacies of Class and Identity in the Polish Dance House Movement |
| 17:30 |
Thomas van Buren |
Artists' Perspectives on the Negotiation of Cultural Identity at a New York Regional Jazz Festival |
| 18:00 |
Chan Hei Tung |
The Construction of Identity through Concert Touring |
| IID10 |
THE PERORMANCE OF LEGACY (Chi-Fang Cheng) |
| 17:00 |
Debra van Tuyll & Carl Purdy |
The Role of the Session (Seisiún) in Irish Cultural Legacy |
| 17:30 |
Keith Howard |
Tradition as Institution: Embedding Form in the Legacy of Korean Music |
| 18:00 |
Lucy Wright |
What a Troupe Family Does: Carnival troupe dancing and the performance of legacy |
| IID11 |
Indigenous and Post-colonial Legacies of Traditional Music and Dance (Susana Sardo) |
| 17:00 |
Clare Suet Ching Chan |
MEMORY, INVENTION AND PASTICHE IN THE SINGING OF PINLOIN (SONGS) AMONG THE INDIGENOUS JAHAI OF PENINSULA MALAYSIA |
| 17:30 |
Alfdaniels Mabingo |
Cross-cultural adaptation of traditional music and dance movement legacies to post colonial education contexts: A dance practitioner’s perspective |
18:30–20:00 Dinner
| IIEW1 |
Film |
| 20:00 |
Antti-Ville Kärjä |
Songs for Saving Many |
| IIEW2 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Applied Ethnomusicology |
| IIEW3 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Maqām |
| IIEW6 |
Workshop |
| 20:00 |
Catherine Foley |
Céilí dance workshop |
| IIEW7 |
Workshop |
| 20:00 |
Trần Quang Hải |
The Art of Playing the Spoons In Vietnam |
Saturday, 15 July 2017
| IIIA01/th> |
* Moving And Moved Singers: Non-Vocal Embodiments Of Vocal Expressions In The Era Of Mass Media (Gisa Jähnichen) |
| 09:00 |
Chinthaka Prageeth Meddegoda |
Voice with Gestures and Gestures without Voice |
| 09:30 |
Katja Claudia Nadler |
The Other Voice and its Other Body in Franz Lehar’s “The Land of Smiles” |
| 10:00 |
Gisa Jähnichen |
The Motionless Emotion in the South Vietnamese Songs of Nostalgia |
| IIIA02 |
Music Research Praxis in the Global South (Tan Sooi Beng) |
| 09:00 |
Tan Sooi Beng |
Towards an Activist Collaborative Praxis in the Revitalization of Minority Traditions |
| 09:30 |
Margaret Sarkissian |
When the Ethnographer’s Hat No Longer Fits: Developing Community-centered Collaborative Research Praxis |
| 10:00 |
Samuel Araujo |
Critical Perspectives on the Role of Activism in Music Research |
| IIIA03 |
MUSIC, COMMUNISM AND NATIONALISM (Razia Sultanova) |
| 09:00 |
Zuzana Jurková |
Music behind the Iron Curtain – and What Happened When the Curtain Fell |
| 09:30 |
Patrick Warfield |
"Spontaneously Sung by the Great Masses: ""The Star-Spangled Banner,"" Standardization, and the Great War" |
| 10:00 |
Sheen Dae-Cheol |
The Korean Soundscape of the 19th Century: Start of New Musical Era |
| IIIA04 |
* From the Field to the Lab – and Back: New Approaches to the Study of Musical Gesture in a Cross-Cultural Perspective (Fabrice Marandola) |
| 09:00 |
Fabrice Marandola |
Exploring Similarities Between African and Western Percussionists Using 2D, 3D Motion Capture and Eye-Tracking Methods |
| 09:30 |
Farrokh Vahabzadeh |
Instrumental Gestures and Musical Embodiment in Iran and Central Asia |
| 10:00 |
Marie-France Mifune |
Defining Cultural Identities through Harp Performance in Gabon |
| IIIA05 |
Film (Kyoko Tsujimoto) |
| 09:00 |
Fujimoto Ai |
Break the Routine! 78-year-old Revolutionist of Goshu Ondo, Tadamaru Sakuragawa |
| IIIA06 |
MUSICAL IDENTITY AND IDENTITIES (Lasanthi Manaranjanie Kalinga Dona) |
| 09:00 |
Janet Herman & Sonam Dorji |
Zhungdra, Boedra, and Gross National Happiness: “Safeguarding Identity” at the Music of Bhutan Research Centre |
| 09:30 |
Nasim Ahmadian |
The Legacy of “My Own Music”: domination of individual identity over collective identity of Iranian performers through presenting musical interpretation of Iranian traditional music |
| 10:00 |
Yoon Foong Wong |
Diaspora in a Cultural Deluge: Musical identities of Singaporean Chinese-Music Practitioners. |
| IIIA07 |
ISSUES OF DIGITIZATION OF ARCHIVAL MATERIAL (Zdravko Blažeković) |
| 09:00 |
Elizabeth Robinson |
The Issues of Orishas in Casino |
| 09:30 |
Tsehaye Haidemariam |
The Challenges of Digitization in a Digital Age: Political, Economic and Ownership Issues in the Negotiation for the Digitization of Ethiopian Dance and Music Film Materials Archived in Hungary |
| IIIA08 |
TRADITIONAL RHYTHM AND METRE IN CONTEMPORARY PERFORMANCE (Raymond Ammann) |
| 09:00 |
Jacqueline Pattison Ekgren |
Beowulf and Norwegian stev share a common “two-pulse” pattern: can a millennium-old Norwegian vocal tradition provide a fresh approach to performing Old English Poetry? |
| 09:30 |
Luis Jure |
Timeline patterns in Uruguayan Candombe drumming |
| IIIA09 |
MUSIC AND MEDIA: RADIO AND MUSIC SAMPLING (Lisbet Torp) |
| 09:00 |
Helen Gubbins |
Radio programmes as mediators of change in Irish traditional music, 1970-1994 |
| 09:30 |
Mark Lenini |
Impact of Sampling of Music In Kenyan Popular Music |
| IIIA10 |
HEROISM, CHIVALRY, AND PORNO SONGS (David Harnish) |
| 09:00 |
Deirdre Morgan |
Rustic Chivalry: Heroes, Outlaws, and the Sicilian Marranzano |
| 09:30 |
Jennifer Fraser |
Playing with Men: Female Singers, Male Audiences, and Porno Texts in a West Sumatran Vocal Genre |
10:30–11:00 Morning tea
| IIIB01 |
Celebratory Roundtable — Maud Karpeles: Her Contribution to Dance Research and the International Folk Music Council (IFMC) later the ICTM |
| 11:00 |
Catherine Foley, Chair |
Panellists: Catherine Foley, Theresa Jill Buckland, Stephanie Smith, Elsie Ivancich Dunin, Ivona Opetcheska Tatarchevska, Daniela Stavelova, Derek Schofield, Liz Mellish, Jeanette Mollenhauer |
| IIIB02 |
Roundtable — Rethinking language and discourses on gender and “feminism” in ethnomusicology: Global Contexts, Scholarly Trends and Future Directions |
| 11:00 |
Anna Hoefnagels, Chair |
Panellists: Marko Kölbl, Anna Hoefnagels, Rasika Ajotikar, Ana Hofman, Laila Rosa |
| IIIB03 |
* Circulation of ritual musics in Central Africa (Sylvie Le Bomin) |
| 11:00 |
Susanne Fürniss |
Historical testimonies of ritual circulation between Cameroon and Equatorial Guinea in German institutions |
| 11:30 |
Sylvie Le Bomin |
Tell me what repertoire you have and I say you where you come from … |
13:00–14:30 Lunch
13:15–14:15 Editorial Board Meeting (Room 9)
| IIIC01 |
* Local, symbolic or virtual affinities. Community and legacy created through singing (Ingrid Åkesson) |
| 14:30 |
Janika Oras |
Heritage holders, revivers, and creators. Contemporary roles and processes in Seto traditional singing culture. |
| 15:00 |
Taive Särg |
‘The tune came by itself out from the lyrics’. The ways of learning and re-creation of Estonian regilaul in the spontaneous singing tradition of the early 2000s |
| 15:30 |
Ingrid Åkesson |
Parallel tracks in creation of musical legacy: Small-scale live singing sessions vs digital encounters in Scotland and Ireland |
| IIIC02 |
* Interpretations of the Musical Relationship between Alphorn Music and Yodeling (Raymond Ammann) |
| 14:30 |
Raymond Ammann |
The 'instrumental hypothesis' discussed on the example of the relationship between alphorn music and yodeling |
| 15:00 |
Andrea Kammermann |
How to explain discrepancies and similarities in the tonal ranges of alphorn music and natural yodel? |
| 15:30 |
Yannick Wey |
Computer aided analysis methods to explore the musical scales of natural yodel in the Swiss alpine region |
| IIIC03 |
* Reimagining and Re-Imaging Choreometrics in the Global Jukebox (Miriam Phillips) |
| 14:30 |
Miriam Phillips |
The Legacy of Alan Lomax’s Choreometrics: Assets and Controversies |
| 15:00 |
Anna L. Wood and Forrestine Paulay |
Choreometrics: operationalized by observation and theorized as cultural equity, in the global jukebox |
| 15:30 |
Karen Bradley |
Building the Box: Choreometrics through Technology |
| IIIC04 |
Roundtable — Audiovisual productions as a tool towards shared research practices in ethnomusicology |
| 14:30 |
Jorge Castro Ribeiro, Chair |
Panellists: Jorge Castro Ribeiro, Susana Sardo, Dario Ranocchiari |
| IIIC05 |
Films (Nguyen Binh Dinh) |
| 14:30 |
Thuy Tien Nguyen and Minh Huong Pham |
Multipart Singing Of The Nung People In Cao Bang Province, Vietnam |
| 15:15 |
Paola Barzan |
“Musica avanti!” Musicians and dancing masks in the Carnival of Dosoledo, Italy |
| IIIC06 |
INSTRUMENTAL LEGACIES IN EAST ASIA, CUBA AND SLOVAKIA (Zuzana Jurková) |
| 14:30 |
Hyelim Kim |
Legacy and Future of East Asian Flutes: Taegŭm, Dizi and Shakuhachi |
| 15:00 |
Edwin E. Porras |
Whose Legacy is the Corneta China? Relationships between Cuban Communities of Chinese and African Descent and the State |
| 15:30 |
Katarína Babčáková & Agáta Krausová |
Comparative Analysis of the traditional Folk Dance in the context of new technologies in Slovakia |
| IIIC07 |
TRADITIONAL MUSIC IN FESTIVALS IN HONG KONG, CHINA AND TAIWAN (Lee Tong Soon) |
| 14:30 |
Zhang Ludan |
Observation and Research of the Ritual and Music in 'Hungry Ghost Festival' of Taoism in Hong Kong at Fung Ying Seen Koon |
| 15:00 |
Bai Xue |
Social Network Analysis of Song Festivals of the Zhuang People in Pingguo County |
| 15:30 |
Wei Xin-Yi |
"The musical intervention of Tibetan home-returning: A case study on “Tibet in Song” and “Tibetan Warrior” in 2015 Taiwan ""Tubo"" Film Festival" |
| IIIC08 |
THE DECLINE OF MUSICAL LEGACIES IN NORTHERN IRELAND, ARMENIA AND SYRIA (Samuel Araújo) |
| 14:30 |
Sarah-Jane Gibson |
"And Now the Choir Will Murder the Anthem": The Decline of the Traditional Church Choir in Northern Ireland" |
| 15:00 |
Ortensia Giovannini |
“It is going to die”: Paths of Armenian musical legacies |
| 15:30 |
George Pioustin |
Politics of Performance: The Decline of Syriac Chants |
| IIIC09 |
PERSONAL LEGACIES OF ICELANDIC RIMUR, AN IMAGINED LEGACY OF MEK MULUNG, AND THE ETHNOMUSICOLOGICAL IDEAL IN KAZAKH TRADITIONAL MUSIC (Christine May Yong) |
| 14:30 |
Kimberly Cannady |
Personal Musical Legacies, Shifting Demographics, and Icelandic Rímur |
| 15:00 |
Nur Izzati Jamalludin |
The Construction of an Imagined Legacy of Mek Mulung |
| 15:30 |
Fatima Nurlybayeva |
The specific features of Ethnomusical ideal in Kazakh traditional musical culture |
16:30–17:00 Afternoon tea
| IIIDCH |
MEETING |
| 17:00 |
|
43rd Ordinary Meeting of the General Assembly of the International Council for Traditional Music |
18:30–20:00 Dinner
| IIIEW1 |
Concert: The Three Forges — New compositions for javanese gamelan |
| 20:00 |
|
Performed by The Irish Gamelan Orchestra (Dir. Mel Mercier) and guests |
| IIIEW2 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Music and Dance of Oceania |
| IIIEW3 |
Workshop |
| 20:00 |
Panagiota Papageorgiou |
Performing Traditional Songs of the World Connected with Recreational Customs and Games in Educational Settings |
| IIIEW4 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Iconography of the Performing Arts |
| IIIEW5 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Musics of the Slavic World |
Sunday, 16 July 2017 (day for excursions)
| IVEW1 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Music of the Turkic-speaking World |
| IVEW2 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Ethnochoreology |
| IVEW3 |
ICTM Study Group Business Meeting |
| 20:00 |
|
African Musics |
| IVEW4 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Music and Gender |
| IVEW5 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Historical Sources of Traditional Music |
| IVEW6 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Audiovisual Ethnomusicology |
| IVFW2 |
Memorial |
| 21:30 |
Salwa El-Shawan Castelo-Branco |
Memorial for Dieter Christensen, ICTM Secretary General 1981–2001. |
Monday, 17 July 2017
| VA01 |
HISTORIES AND LEGACIES IN MUSIC AND DANCE OF PRE-HISPANIC GUATEMALA, SALSA, AND EARLY MODERN JAPAN (Anne von Bibra Wharton) |
| 09:00 |
Juan Carlos Figueroa |
Musical interpretations of the pre-Hispanic in Guatemala |
| 09:30 |
Juliette O'Brien |
Salsa's Multiple Legacies and Manifestations |
| 10:00 |
Takenouchi Emiko |
Samurai class and music in early modern times in Japan—an example from the Hirosaki domain |
| VA02 |
PACKAGING AND MARKETING OF FINISH-SWEDISH, HINDUSTANI, MEXICO-VERACRUZ AND TIBETAN BUDDHIST MUSICAL LEGACIES (Chinthaka Meddegoda) |
| 09:00 |
Johannes Brusila |
Gjallarhorn nurturing the Finland-Swedish legacy on the world music market |
| 09:30 |
Randall C Kohl |
México’s (reddish) orange economy: politics, jobs and money in the Veracruz son jarocho |
| 10:00 |
Anna Morcom |
Tibetan Buddhist chanting as a form of exchange |
| VA03 |
Music Culture Imagination: Four cases on ritual music in China inland (Sun PeiRui) |
| 09:00 |
Liu ZiWei |
A multi-perspective discussion over the arising phenomenon of the funeral dance by female in Tujia Nationality |
| 09:30 |
Xie Yao |
Jump for irreversible cultural change, from friendship to commercialisation |
| 10:00 |
Zhou Yun |
Praise to life: The meaning on Tujia funeral music culture |
| 10:30 |
Sun PeiRui |
Wutai mountain Pushou temple new Buddhist music research |
| VA04 |
Music And Survival In Culture And Other Industries (José S. Buenconsejo) |
| 09:00 |
Mercedes M. Dujunco |
Singing The Plight Of Overseas Filipino Workers: Emir The Musical As Trope For Affective Labor |
| 09:30 |
Ana Flávia Miguel |
Skopeologies and the shared research practices in Ethnomusicology |
| 10:00 |
Leah O'Brien Bernini |
Success in the Culture Industries: Entrepreneurial Neoliberal Rhetoric and Resilience |
| VA05 |
* The musics of immigrant communities between nationalistic instances and Christian ecumenism (Serena Facci) |
| 09:00 |
Serena Facci |
Music, Vatican ecumenical policies and space of identity of the immigrant Christian communities of Rome |
| 09:30 |
Enrique Cámara de Landa |
Between the temple and the street: The entrance of Urkupiña held by Bolivian immigrants |
| 10:00 |
Grazia Tuzi |
Reaffirming the Nation performing music, dance and the national anthem during religious ceremonies |
| 10:30 |
Vanna Viola Crupi |
The musics of Jubilee of Migrants and Refugees in Rome: Ecumenical policies and bottom-up instances. |
| VA06 |
* Time Difference -- Discovering Cultural Diversity in Rhythm Processing (Hyun Kyung Chae) |
| 09:00 |
Yu Fan |
Understanding the cultural influence on pitch-duration interaction |
| 09:30 |
Yong Jeon Cheong |
Sound of Action: musical Onomatopoeia as embodied signs. Evidence from rhythm memorization experiments. |
| 10:00 |
Hsiang-Ning Dora Kung |
“Diversely Heard”: A Cross Cultural Study on Pulse and Complex-Meter Perception |
| VA07 |
LEGACY TRANSMISSION IN GREEK FOLK DANCE, CELTIC MUSIC IN AUSTRLIA AND IRELAND, AND CD PRODUCTION OF SAMI MUSIC (Brenda Suyanne) |
| 09:00 |
Eirini Loutzaki |
The Legacy of Kallirroi Parren and her influence in the Greek folk dance education and culture |
| 9:30 |
Cornelia Dragusin-Buijs |
"""Down Under"": Legacy transmission of Celtic instrumental music and pipe-band-tradition through youth education in Australia" |
| 10:00 |
Xinjie Chen |
Multimodal Representation: Rooted Cosmopolitanism in Sámi CD productions in the First Decade of the New Millennium |
| 10:30 |
Francis J. Ward |
Irish Traditional Music Transmission Online: Approaching a Virtual Orality |
| VA08 |
RITUAL MUSIC IN FOREIGN AND CONTESTED CONTEXTS AND MUSIC IN AN IMAGINED COMMUNITY (Marit Stranden) |
| 09:00 |
Charles Nyakiti Orawo |
Legio Maria versus Juogi Ancestral Luo Spiritual Sect |
| 09:30 |
Andrés R. Amado |
The Mariachi Mass in the San Juan Basilica: Politics of Faith and Ethnicity the U.S.-Mexico Borderlands |
| 10:00 |
Andy McGraw |
Imagining Community in Music at Twin Oaks |
| VA10 |
THE CONTENT, STRUCTURE AND CONTEXT OF PERFORMANCE IN JAPANESE AND OTHER ASIAN MUSICS (Ricardo D. Trimillos) |
| 09:00 |
Kevin Fellezs |
My Island of Golden Dreams: Japanese Americans Performing Hawaiian Music in Japan |
| 09:30 |
Seiko Suzuki |
The concept of marginality in Japanese performing arts in the 1960s and the 1970s: ‘itinerant arts of Japan’ and Shôichi Ozawa |
| 10:00 |
Gaku Kajimaru |
The Melody as a Mold: A Comparative Study of the Melody–Word Relationships of Three Types of Asian Reciprocal Songs |
| VA11 |
SONIC RECOLLECTIONS OF TEHRAN, AND VISITORS OF MUSIC DISPLAYS (Ursula Hemetek) |
| 09:00 |
Mahsa Pakravan |
Sonic Recollections, inclusion, and exclusion in the Udlajan area of Tehran, Iran |
| 09:30 |
Andreas Meyer |
Visitors of Music Displays - An Ethnographic Approach |
11:00–11:30 Morning tea
| VB01 |
Celebratory Roundtable — The Contribution of the ICTM Study Group on Ethnochoreology on the Study of Dance |
| 11:30 |
Mohd Anis Md Nor, Chair |
Panellists: Mohd Anis Md Nor, Adrienne Kaeppler, Egil Bakka, László Felföldi, Andrée Grau, Theresa Buckland |
| VB02 |
* Legacies of Inscription, Embodiment, and Absence in Canadian Vernacular Dance Traditions (Sherry Johnson) |
| 11:30 |
Kristin Harris Walsh |
“The Music Goes Right to my Feet”: Legacy, Performance and Mediation in Newfoundland Step Dance |
| 12:00 |
Sherry Johnson |
“If you Notated Them, They’d be Exactly the Same”: How Different Epistemologies Can Work Together to Create (More) Meaning |
| 12:30 |
Heather Sparling |
Squaring Off: The Forgotten Legacy of the Cape Breton Square Dance Caller |
| VB03 |
* Music, Religion, and Identity in Macau: The Dynamics of Sacred Music Practice in a Colonial Multicultural Context (Jen-yen Chen) |
| 11:30 |
Oswaldo da Veiga Jardim |
Priest-Musicians or Musician-Priests? The Importance of the Music Activities at St. Joseph's Seminary in Shaping the Musical Life of Macau, 1820-1939 |
| 12:00 |
Jen-yen Chen |
Music and Religion in Cross-Cultural Movement: Cecilianism and the Practice of Catholic Sacred Music in 20th-Century Macau |
| 12:30 |
Margaret Lynn |
“Pro Deo, Pro Arte et Pro Patria”: Father Áureo Castro – Priest, Composer, and Educator in Macau |
13:00–14:30 Lunch
13:30–14:15 Lunchtime Suona concert by the Zhou Family Band (周家班) from Lingbi, Anhui Province, China. Location: room CH.
| VC01 |
URBAN SOUNDSCAPES (Razia Sultanova) |
| 14:30 |
Laudan Nooshin |
Sounding the City: Tehran’s Contemporary Soundscapes |
| 15:00 |
Liu Hongchi |
The City's Impression 80 Years Ago: Listening to the World of Dushi Fengguang(1935) |
| 15:30 |
Mark Slobin |
The Legacy of Live Music Interchange in an Industrial City: Detroit, 1940s-1950s |
| VC02 |
MUSIC, RELIGION AND POLITICS IN INDONESIA AND NEPAL (Lawrence Ross) |
| 14:30 |
Sean Williams |
Between Muslim and Hindu in Sundanese Vocal Music |
| 15:00 |
Victoria Marie Dalzell |
Growing up Christian and Nepali: The Impact of State Secularism on the Musical Practices of Christian Nepali Youth |
| VC03 |
* Sound, Music, Memory, and Trauma: Cross-cultural Perspectives (Beverley Diamond) |
| 14:30 |
Beverley Diamond |
Sound Trauma and Memory in and after Indian Residential Schools in Canada |
| 15:00 |
Martin Daughtry |
Imaginary Sounds in Wartime Iraq |
| 15:30 |
Sylvia Alajaji |
Music, Remembrance, and the Construction of Memory in the Armenian Diaspora: Reflections on the Centennial of the Armenian Genocide |
| 16:00 |
Badema Pitic |
Music and Collective Trauma among the Srebrenica Genocide Survivors in Bosnia and Its Diaspora |
| VC04 |
IMPACT OF MUSIC AND DANCE ON SOCIAL JUSTICE, RESOLUTION OF CONFLICT AND POLITICAL ACTIVISM (Susana Sardo) |
| 14:30 |
Fiona Magowan |
Understanding the Social Justice Mechanisms of Sound, Music and Narrative for Aboriginal Australia and Northern Ireland |
| 15:00 |
Oded Erez |
"The ""Hummusization"" of Arabic?: Towards a Political Evaluation of the Resurgence of the Arabic Language in Popular Music by Israeli-Jews" |
| 15:30 |
Wanting Wu |
Sensing peace through the body: Tibetan dance and conflict transformation in diasporic communities in London and Zürich |
| 16:00 |
Jean Kidula |
All things are possible: Subverting religious songs for political activism |
| VC05 |
Films (Ai Fujimoto) |
| 14:30 |
Tsujimoto Kyoko |
Between Sports and Arts: Heartbeat of a Dragon and its Twenty-two Legs |
| 15:00 |
Horacio Curti Bethencourt |
Beyond the exotic: challenging Ethnomusicology from the Museum |
| 15:30 |
Adèle Commins and Daithí Kearney |
Encountering Speyfest |
| VC06 |
MEETING< (Salwa El-Shawan Castelo-Branco)/th> |
| 14:30 |
|
Assembly of National and Regional Representatives |
| VC07 |
MUSIC, DANCE AND CHANGE (Clare Chan Suet Ching) |
| 15:00 |
Joëlle Vellet |
Change and crossing : the dance and the transmitters... |
| 16:00 |
Chalermsak Pikulsri |
Piphat Mon Music Ensemble: It's Identify and Change |
| VC08 |
* Legacies, Music(s), and Modern Ireland (Rebecca Miller) |
| 14:30 |
Méabh Ní Fhuartháin |
‘Mise Éire’ (‘I am Ireland’): Legacies of (re)imaginings |
| 15:00 |
Rebecca S. Miller |
“Ireland Swings Like Nowhere Else Can”: Contested Legacies of the Irish Showband Era |
| 15:30 |
John O’Flynn |
Music and articulations of Irish nationhood and culture in documentary and narrative film: from the 1930s to the 1960s. |
| 16:00 |
Verena Commins |
Sculpting the legacy(ies) of the Willie Clancy Summer School: From naive relief to three-dimensional sophistication |
| VC09 |
* Clay drums, music and female rites in Morocco: from historical sources to contemporary practices (Domenico Staiti) |
| 14:30 |
Raquel Jimenez Pasalodos |
The drums of the women: clay drums and feminine contexts in Morocco |
| 15:00 |
Matías Isolabella |
Clay drums production in Morocco: an overview |
| 15:30 |
Silvia Bruni |
The m’almat in Meknes: an unknown female musical tradition |
| 16:00 |
Nico Staiti |
Double possession, double inversion: a case study in Meknes |
| VC10 |
MUSIC, DANCE AND IDENTITY AMONG AFRICAN-TURKS AND MALAY NOBAT (Belma Kurtişoğlu) |
| 14:30 |
Fahriye Dinçer |
On the significance of dance within the reconstruction process of an identity: The case of African-Turks |
| 15:00 |
Raja Iskandar Bin Raja Halid |
The Malay Nobat: Negotiating Religiosity, Khurafat and Essentialist Identity |
| VC11 |
MUSIC AND DANCE LEGACIES IN IRELAND, AMERICAN SOUTH AND SCOTLAND AND IN SIKH SACRED SONGS (Kaori Fushiki) |
| 14:30 |
Jonathon Smith |
Celtic Imaginaries: The Sacred Harp, Ireland, and the American South |
| 15:00 |
Fiona J Mackenzie |
Coimeas/Contrast- A Legacy of Song from the Scottish Hebrides |
| 15:30 |
Yang Zhao |
Participation in Scottish cèilidh dancing |
| 16:00 |
Inderjit Kaur |
A “Mother’s Voice”: Ethical Affects in Sikh Sacred Song Practice |
| VC12 |
MUSICAL TRADITIONS IN CATALONIA, YODELLING IN STYRIA, ASSAM (INDIA) AND KAZAKHSTAN (Aaron Pettigrew) |
| 14:30 |
Mark E. Perry |
Descriptive-Narrative Function and the Human Towers of Catalonia |
| 15:00 |
Eva C. Banholzer |
“It’s Still From the Celts!” Yodelling in Styria: Imagination of the Past and Artistic Legacy |
| 15:30 |
Dipanjali Deka |
Reading the Emotions of Bhakti in the Musicality of Borgeet, A Vaishnavite Music Tradition of the Eastern Indian State of Assam |
| 16:00 |
Saida Yelemanova |
Kazakh traditional song of Arka region. Semantics. |
16:30–17:00 Afternoon tea
| VD01 |
OBSERVATION AND ANALYSIS OF ETHNOGRAPHIC RESEARCH (Elina Seye) |
| 17:00 |
Leonardo D'Amico |
Ethno-tourism, myths and songs: a research film project in Yunnan (China) |
| 17:30 |
José Alberto Salgado e Silva |
Musicians as partners in research – analysing two ethnographic studies of professional practice |
| 18:00 |
Alvin Petersen |
Teaching Graceland: An autoethnographic reflection from a South African perspective |
| VD02 |
ETHNOMUSICOLOGICAL RESEARCH AND ITS INFLUENCE (Robin P. Harris) |
| 17:00 |
Valeriya Nedlina |
200 years of Kazakh musical ethnography and evolution of ethnomusicology |
| 17:30 |
Brian Schrag |
What keeps us from much more influence in the growth of knowledge and improvement of human existence? How ethnoarts can save ethnomusicology from irrelevance |
| VD03 |
TEMPLE SOUNDS IN SOUTH KOREA, AND AN ECO-ORGANOLOGICAL PERSPECTIVE ON COCOON LEG RATTLES (Brian Diettrich) |
| 17:00 |
Simon Mills |
The Temple Sound Worlds of South Korean Buddhism |
| 17:30 |
Helena Simonett |
Yoreme cocoon leg rattles: An eco-organological perspective |
| VD04 |
* Ritual Spaces in Tradition and Transition: Negotiating Performativity of the Sacred and the Profane (Urmimala Sarkar) |
| 17:00 |
Urmimala Sarkar |
Durga Puja: An Urban Ritual and a Performative Exhibition |
| 17:30 |
Ammamuthu Ponnambalam Rajaram |
Melamum - Arulum: Understanding Connections Between the Music of the Drums and the Moving Bodies of Devotees in Trance |
| 18:00 |
Debanjali Biswas |
Thabal Chongba, Yaoshang and the Creation of Meiteiness |
| VD05 |
Film (Isabella Pek) |
| 17:00 |
Conor Caldwell |
The Long Road to Glenties |
| VD06 |
* Exploratory Approaches to Analyzing Performative Sound and Movement in Island Southeast Asia (Ako Mashino) |
| 17:00 |
MCM Santamaria |
A Percussive Dance: Exploring the Relationship of Sounding and Moving in the Sama-Bajau Igal Tarirai |
| 17:30 |
Mayco Santaella |
Discerning Conceptualizations Through the Analysis of Sonic and Movement Systems as Single Emic Structures In Maritime Southeast Asia |
| VD07 |
APPLIED RESEARCH IN MUSIC AND DANCE (Elsie Ivancich Dunin) |
| 17:00 |
Placida Staro |
Dance and Music: between chaos of perception and hidden deep harmonies. Reflecting on applied ethnomusicology and ethnochoreology. |
| 17:30 |
Ieva Tihovska |
Applied research, supporting the tradition, and display: Teaching Romani dance to non-Roma |
| 18:00 |
Joshua Tucker |
Indigenous Sounds and Academic Legacies: Applied Scholarship and Community Radio in the Peruvian Andes |
| VD08 |
FOREIGN TRADITIONS AND NATIONAL IDENTITY (Miriam Phillips) |
| 17:00 |
Deng Jia |
The Case of Debussy: Western Music in the Service of Chinese National Identity " |
| 17:30 |
Brian Christopher Thompson |
Black and Green: Ireland, the Irish, and Blackface Minstrelsy |
| VD09 |
ACTION RESEARCH IN ETHNOMUSICOLOGY (Alessandra Ciucci) |
| 17:00 |
Eric Hung |
(Be)Longing and (Be)Longing Community: A Musical Intervention in the U.S. Gun Debate |
| 17:30 |
Liam Adrian Barnard |
Participatory Action Research Ethnomusicology |
| VD10 |
SPEECH TONES, MUSIC AND MESSAGES IN CHINA, GHANA AND A YORUBA CHURCH IN IRELAND (Orfhlaith Ni Bhríain) |
| 17:00 |
Xi Zhang |
Speech Tones, Melody Contours and Musical Patterns: The Relationship Between Chaozhou Dialect and Chaozhou Songs |
| 17:30 |
Michael Ohene Okantah Jr. & Fred Amoakohene |
The Use of the Adenkum (gourds) as Speech Surrogate by Sehwi Ntakem Women of Ghana |
| 18:00 |
Rebecca Uberoi |
Thief - One with the Big Eyeball!: Talking Drum Messages, Religious Ideology, and Micropolitics in a Yoruba Immigrant Church in Ireland |
| VD11 |
INDIGENOUS SOUNDS AND RE-CREATION (Arwin Tan)/th> |
| 17:00 |
Silvia Citro & Adriana Cerletti |
The powers of indigenous sounds: The performative efficacy of the “Toba tin violin” |
| 17:30 |
Chi-Fang Chao |
Theatre as the acquired legacy: politics of re-creating ritual performances of the Taiwanese indigenes |
| VDW2 |
Workshop |
| 17:00 |
Judith Cohen |
Ballads, weddings, and other things to sing about: Workshop in traditional Judeo-Spanish "Ladino" song |
18:30–20:00 Dinner
| VECH |
Concert: Sionna – A World of Music and Dance |
| 20:00 |
|
A concert presented by the Irish World Academy of Music and Dance featuring faculty and students of the Irish World Academy and special guests. |
Tuesday, 18 July 2017
| VIA01 |
MUSIC AND DANCE FOR THE DEAD AND BY THE DEAD AS INTER-GENERATIONAL LEGACY (Yu Hui) |
| 09:00 |
Zhang Boyu |
Can Dance for the Dead be Performed for Tourists? ---- An Investigation on the Evolvement from Cultural to Artistic Performance |
| 09:30 |
Colin Patrick McGuire |
Death of the Masters: Negotiating Legacy During Generational Shift |
| 10:00 |
Mary Mc Laughlin |
Old Roots, New Branches? The Legacy of Irish traditional Otherworld Songs |
| 10:30 |
Michael Vercelli |
Performing Legacy: The Solo Gyil Player in the Birifor Funeral Tradition |
| VIA02 |
MUSIC AND DANCE LEGACIES IN FINNISH DIGITAL COLLECTIION CATALOGUES, KOREAN DIASPORA MUSICAL ACTIVITIES, THE OCEAN ENVIRONMENT OF MICRONESIA, AND THE RELATIONSHIP BETWEEN HUMANS AND BUSH SPIRITS IN BURKINA FASO (Mercedes Dujunco) |
| 09:00 |
Outi Valo |
Finnish folk music collector Erkki Ala-Könni - Digital collection catalogues as a research material |
| 09:30 |
Cholong Sung |
Faith or ethnicity? Musical activities of Korean immigrant churches in the UK |
| 10:00 |
Brian Diettrich |
Music and the Ocean Environment: Legacies of Sound, Spirits, and Survival in Maritime Micronesia |
| 10:30 |
Camille Devineau |
The relationship between humans and bush spirits, a key to understand that music and dance are a single whole in the Bwaba society of Burkina Faso |
| VIA03 |
* Alliance Studies: A Model for Contemporary Music Scholarship (Kati Szego) |
| 09:00 |
Marcia Ostashewski |
Considering “Alliances” in “Multicultural” Canada: Three Prairie Musics |
| 09:30 |
Monique Giroux |
From Identity to Alliance: Challenging Métis ‘Inauthenticity’ Through Alliance Studies |
| 10:00 |
Kati Szego |
Singing Hawai‘i through the Prism of Alliance Studies |
| 10:30 |
Jan Sverre Knudsen |
What is a Musical Alliance? – Connections, Bonds and Boundaries |
| VIA04 |
Musical Legacies and Taiwan-centered Historiography (Tsai Tsan-Huang) |
| 09:00 |
Chen Chun-Bin |
Entertaining the Troops but Energizing Our Tribe: Music Making and Imagination on Ethnicity of a Taiwanese Aboriginal Tribe in the 1960s |
| 09:30 |
Chu Meng-Tze |
“Born to be Wild”: Collective memory and imagination of ageing rock musicians in Taiwan |
| 10:00 |
Sun Chun-Yen |
Traditional Value and Creative Approaches: The Making of Chinese Zither Qin in Taiwan |
| 10:30 |
Tsai Tsan-Huang |
From “Spring of the Wild Lily” to “Island Sunrise”: Musical Legacies and Creativities in Taiwan Student Movements |
| VIA05 |
‘ANALYSIS OF CEREMONY AND RITUAL IN ABORIGINAL AUSTRALIA, THE GEEROWOL RITUAL DANCE, AND SHAMAN SONGS OF INDONESIA (Don Niles) |
| 09:00 |
Reuben Brown |
Different modes of exchange: the Mamurrng ceremony of western Arnhem Land |
| 09:30 |
Sandrine Loncke |
The Geerewol Ritual Dance: Performance Analysis of a Shape-Shifting Musical Object |
| 10:00 |
Linda C. Burman-Hall |
Urai Sikerei: Shaman Songs about the Bilou (Siberut Island, Mentawai, Indonesia) |
| VIA06 |
DIGITAL TECHNIQUES IN THE ANALYSIS OF TRADITIONAL MUSIC AND A HISORY OF JAPANESE FOLK SONG RESEARCH (Maria Elizabeth Lucas) |
| 09:00 |
Sarah M. Ross |
Heading for new shores: Integrating Digital Humanities into Jewish Music Studies |
| 09:30 |
Therese Smith |
Quality and quantity: digital research |
| 10:00 |
Kimiko Shimazoe |
Reconsideration of the History of Japanese Folk Song Research in the 20th Century: A case study of the Japan Broadcasting Corporation (NHK) folk song research project |
| VIA07 |
HARMONIES, NOTATIONS, SMALLER SECONDS AND THEORY OF MUGHAM (Barbara Čurda) |
| 09:00 |
Pál Richter |
Harmonies Used in Hungarian Folk Tradition vs. the Harmonization of Folk Song Arrangements by Bartók and Kodály |
| 09:30 |
Inoue Sayuri |
Musical Notations in Burmese Classical Songs’ Oral Tradition: Harpist U Myint Maung’s Challenges in Transcribing Music |
| 10:00 |
Liu Xiangkun |
Smaller Seconds in Traditional Japanese Instrumental Music and Their Significance |
| 10:30 |
Suraya Agayeva |
On Features of the Theory of Mugham in Medieval Manuscripts of the East |
| VIA08 |
SONGS AND DANCES IN CONTESTED AND CONTEMPORARY CONTEXTS (Juliette O’Brien) |
| 09:00 |
Nayive Ananías Gómez |
“A otros dieron de verdad esa cosa llamada educación”: The legacy of “El baile de los que sobran” of Los Prisioneros in the Chilean student protests |
| 09:30 |
Sofia Vieira Lopes |
“Addio, adieu, aufwiedersehen, goodbye”: difference and integration on RTP Song Contest |
| 10:00 |
Carolina Sánchez Hernández |
Salsa dance contests: contest "festiva" in Oaxaca, Mexico |
| 10:30 |
Sophie Coquelin |
Portuguese Culture in Contemporary Dance: Two tendencies in the 21st Century choreographic creation |
| VIA09 |
RE-IMAGINING, RE-INVENTING, REMEMBERING AND CREATING MUSICAL LEGACIES (Liz Mellish) |
| 09:00 |
James McNally |
Reimagining and Reinventing Afro-Brazilian Vissungos in Experimental Sound |
| 09:30 |
Ignacio Agrimbau |
Remembering the Present: Conflicting Discourses of Competence and Ancestral Legacy Among Dagara Xylophonists in the Upper West Region of Ghana |
| 10:00 |
Bi Yixin |
The Imagination and Creation of Zebi |
| VIA10 |
COMPARING AND IMPROVING TRADITIONAL MUSIC AND DANCE EDUCATION, AND UNDERSTANDING A MUSICAL INSTRUMENT (Anne von Bibra Wharton) |
| 09:00 |
Michael R. Clement |
Music is mathematics made audible: cross-modal CNSM applications in music appreciation and ethnomusicology |
| 09:30 |
Peter Levai |
Improving Hungarian Folk Dance Education Methodology: How Labanotation Helps the Teaching and Learning process |
| 10:00 |
Hande Sağlam |
New Perceptions of Music Education: Interdisciplinary Methods, Models, and Strategies of Transmission |
| 10:30 |
Cassandre Balosso-Bardin |
Understanding an instrument: acoustics, movement and ethnomusicology. |
| VIA11 |
Workshop |
| 09:00 |
Jacqueline Ekgren |
Vocal workshop: Learning Norwegian stev: From Core Concepts to Performance |
11:00–11:30 Morning tea
| VIB01 |
Celebratory Roundtable — ICTM in the 21st Century as Seen by Its Presidents and Secretaries General |
| 11:30 |
Salwa El-Shawan Castelo-Branco and Svanibor Pettan, Co-Chairs |
Panellists: Salwa El-Shawan Castelo-Branco, Adrienne L Kaeppler, Krister Malm, Svanibor Pettan, Anthony Seeger, Stephen Wild |
| VIB02 |
* Sound, Movement and People: Combining Digital and Choreomusicological Research Methods for the Exploration of Tango Argentino (Kendra Stepputat) |
| 11:30 |
Mattia Scassellati |
European Influences on the Formation and Manifestation of Cosmopolitan Tango Argentino |
| 12:00 |
Kendra Stepputat |
Musical Features that determine Tango Danceability – Reviewing Research Methods and Results |
| 12:30 |
Christopher Dick |
The Digital in the Dance - Computer Based Movement Analysis in the Case of Tango Argentino |
| VIB03 |
* More Than Ethnography: Methods and Ethnomusicology (Deborah Wong) |
| 11:30 |
Deborah Wong |
Ethnomusicology and Close Reading |
| 12:00 |
Philip V. Bohlman |
“All This Requires but a Moment of Open Revelation!” Ethnography by Many Other Names |
| 12:30 |
Dylan Robinson |
Ethnomusicology’s form: speculative, apposite, shxwelítemelh |
13:00–14:30 Lunch
| VIC01 |
LEGACIES OF GOURD TRUMPETS, LYRES AND HORNS IN EAST AFRICA, MAYAN MARIMBA MUSIC, AND FLUTE IN THE FLAMENCO TRADITION (Maria Agatha Ozah) |
| 14:30 |
James Isabirye |
Ebigwala (Royal Gourd Trumpets) Music of the Basoga from Uganda: A future from the past |
| 15:00 |
James K. Makubuya |
Lyres in East Africa: Their Roles as Windows into and Mirrors of Cultures and Environment |
| 15:30 |
Logan Elizabeth Clark |
The Multi-Locality of Place in Mayan Marimba Music |
| 16:00 |
Massimo Cattaneo |
Is this flamenco? The role of timbre in mediating the flute in the flamenco tradition. |
| VIC02 |
* India's Music And Rituals At Home And The Diaspora (Jayendran Pillay) |
| 14:30 |
B.Balasubrahmaniyan |
Fashioning Ancient Tamil Hymns: Hybridization in the Current Practice of Tēvāram |
| 15:00 |
Jayendran Pillay |
Why Do the Gods Dance? A Study Of Kavadi Among Tamil Hindu South Africans |
| 15:30 |
Gene Lai |
The struggle for an Identity within a multicultural Society: The Idiosyncratic urumi mēlam in Singapore |
| 16:00 |
Bridgid Bergin |
Untangling Indian “Fusion” Music in New York City: Navigating Space, Place, and Identity |
| VIC03 |
SUSTAINABILITY OF MUSICAL TRADITIONS IN BRAZIL AND JAPAN AND IN GENERAL (Judith Gray) |
| 14:30 |
Eurides de Souza Santos |
“You sing there, I’ll sing here”: diversity as a principle of sustainability of the Brazilian musical genre cocos |
| 15:00 |
Geoffroy Colson |
Legacy and global sustainability: a creative interdisciplinary approach |
| 15:30 |
Keisuke Yamada |
Musical Sustainability and (Non)Scalability of A Cultural Preservation Project in Japan |
| 16:00 |
Huib Schippers |
Sound futures: Operationalising sustainability from an ecological perspective |
| VIC04 |
MUSIC IN NEW AND OLD CHRISTIAN TRADITIONS (Niall Keegan) |
| 14:30 |
Florian Carl |
"But This is not Gospel!": Popular Music, Faith, and Identity in Ghana's New Christianity |
| 15:00 |
Essica Marks |
Change and continuity in the liturgical music of a small Christian community in the Galilee |
| VIC05 |
Transmission of traditional music in different contexts (Bo-Wah Leung) |
| 14:30 |
Markus Tullberg |
Meanings of Tradition in Swedish Folk Music Education |
| 15:00 |
Melissa Bremmer & Adri Schreuder |
The Educational Model “Rhythms Around the World”: Student-teachers Learn to Transmit Traditional Musics to Pupils in Primary and Secondary Education |
| 15:30 |
Siri Tuttle & Håkan Lundström |
Transmission of indigenous Songmaking in Interior Alaska |
| 16:00 |
Benon Kigozi |
Legacy within imagination and creativity: The case of traditional music of Buganda |
| VIC06 |
ENDANGERED LEGACIES (Kati Szego) |
| 14:30 |
Peter Toner |
Legacies of “The Old People”: Pasts, Presents, and Futures in Yolngu Ritual Music |
| 15:00 |
Erika Janeth Cardona González |
Shanghai elderly choirs: three case studies |
| 15:30 |
Patrick Allen |
The Powerful Living Legacy of the Chagos Islanders |
| VIC07 |
* Claiming Song Dynasty (960-1275) Chinese Music for Contemporary Audiences (Joseph S. C. Lam) |
| 14:30 |
Kang Ruijun |
Commoner Music in the Northern Song Chinese Court (A.D.960-1127): A Case of Changing Institutions, Roles, and identities |
| 15:00 |
Huang Yi'ou |
“Music and Music Culture during the Reign of Emperor Renzong (reigned 1022-1063)” |
| 15:30 |
Zhao Weiping |
“Tang and Song Music Research and 'reconstructive Performance'” |
| 16:00 |
Li Youping |
“Ringing Emperor Huizong's Bells: To Be Authentic or Musical?” |
| VIC08 |
LEGACY AND CHANGE IN JAPANESE NARRATIVE MUSIC. KABUKI HAYASHI ENSEMBLE, PERFORMING ARTS OF FOUR AND A HALF TATAMI MATS, AND MUSIC AND DANCE MOVEMENTS OF "AWA ODORI" (Yukako Yoshida) |
| 14:30 |
Sayumi Kamata |
Structure and Metaphor: Changing Techniques in the Kabuki-Hayashi Ensemble |
| 15:00 |
Itsuro Nakahara |
The traditional performing arts of four and half tatami-mats’ room in Gionkoubu, Kyoto city |
| 15:30 |
Atsuko Kobayashi |
The transition of "Ma" in music and dance movements of "Awa Odori" |
| VIC09 |
ETHNOMUSICOLOGICAL STUDIES OF KOREAN TRADITIONS AND AZERBAIJANI MUGHAM (Sheen Dae-Cheol) |
| 14:30 |
Bohi Gim Ban |
An Ethno-musical Study of Soviet Korean POW’s Songs |
| 15:00 |
Kim Jung Ye |
Exploring the dramatic situations presented in a P’ansori repertory by applying the "tone painting" technique |
| 15:30 |
Fattakh Khalig-zada |
Western ethnomusicology and Azerbaijani mugham |
| VIC10 |
Workshop |
| 14:30 |
Sandra Joyce and Helen Lawlor |
Irish Harp Workshop |
16:30–17:00 Afternoon tea
| VID01 |
* Shaping sounds and movements (Ardian Ahmedaja) |
| 17:00 |
Anda Beitāne |
An Experiment as an Analysis Tool |
| 17:30 |
Ardian Ahmedaja |
The Physical and the Meant Time in Performance Practices of Local Music and Dance in Albania |
| 18:00 |
Ignazio Macchiarella |
Representation and performance of the A tenore singing accompaniment of the dance practices: the case of Orgosolo |
| VID02 |
MEDICAL ETHNOMUSICOLOGY AND ETHNOCHOREOLOGY (Brian Schrag) |
| 17:00 |
Andreja Vrekalić |
"For the Sake of Health": (Re)Defining Medical Ethnomusicology through the Concept of Health Musicking |
| 17:30 |
Orfhlaith Ni Bhriain & Amanda Clifford |
Social dance for health: Set Dancing for Parkinson's |
| 18:00 |
Jennie Gubner |
Teaching about Music and Alzheimers through Applied Ethnomusicology and Digital Humanities |
| VID03 |
LEGACY TRANSMISSION THROUGH MUSEUM OF NEPAL, PARTICIPATORY ENGAGEMENT IN KOREAN PERFORMANCES, AND MUSIC EDUCATION IN SOUTH AFRICA (Sean Williams) |
| 17:00 |
Ram Prasad Kadel |
22 years of the influence of Music Museum of Nepal, established at the beginning of the 1995 - 2006 civil war, on the current status of the conservation of Nepali traditional music and dance culture. |
| 17:30 |
Donna Lee Kwon |
From the Madang into the Future: Strategies of Participatory Engagement in the Performances of Creative Korean Traditional Performing Arts Teams (Changjak Yeonhuidan) |
| 18:00 |
Mandy Carver |
Knowledge transfer: Recontextualising traditional music in the South African music curriculum |
| VID04 |
ANALYSIS OF SWAZI BOW MUSIC, SUNDANESE DANCE, AND HUNGARIAN VILLAGE PERFORMANCE (Wim van Zanten) |
| 17:00 |
Cara Stacey |
“Landzela sandla sakho’ (follow your hand): performance, participation, and the voice in Swazi bow music |
| 17:30 |
Henry Spiller |
Sonic and Tactile Dimensions of Sundanese Dance |
| 18:00 |
Judith E. Olson |
Unitary Analysis of Music and Dance in Hungarian Village Context—Investigating a Complex Art Form |
| VID05 |
Films (Akiko Nozawa) |
| 17:00 |
Nefen Michaelides |
Duo for violin and piano on a Cypriot traditional music theme |
| VID06 |
BARDS AND MINSTRELS IN ARMENIA, IRAN, AZERBAIJAN, AND IRELAND (Jörgen Torp) |
| 17:00 |
Lilit Yernjakyan |
Armenian Bard Romance in Near-East Cross-Cultural Context |
| 17:30 |
Anna Oldfield & Behrang Nikaeen |
Crossroads Cultures and Local Evolutions: The Ashiq Minstrel in Iran and Azerbaijan |
| 18:00 |
Róisín Ní Ghallóglaigh |
The Limerick Rake - Bardic Bawdry or Backroom Ballad? |
| VID07 |
* Burden or Gift?: Music Legacy in the Throes of Capitalism, Manila, 1890s to 1910s (José S Buenconsejo) |
| 17:00 |
Jose S Buenconsejo |
The Circulation of Philippine "Traditional Music" in Manila's Middle Class Culture, 1890s to 1910s |
| 17:30 |
Arwin Tan |
Patronage and Mode of Production in the MusicalAssociations of Manila, ca. 1890 – 1910 |
| VID08 |
* Claiming Song Dynasty (960-1275) Chinese Music for Contemporary Audiences (Joseph S. C. Lam) |
| 17:00 |
Joseph Lam |
“Music of Reminiscence” (huaigu yinyue): A Pragmatic Approach to Reclaiming Song Dynasty Music and Music Culture. |
| 17:30 |
Sun Xiaohui |
The Song Dynasty Lulu musical notation and the nature of ritual music |
| VID09 |
* The interaction Between Musical Culture and Political Environment in Greater China (Tsai Tsung-Te) |
| 17:00 |
Yuan Ye-Lu |
The Influence of Religious Environment On Taoist Music in Taiwan After Second World War—A Case of Cultural Construction of Chanhe Taoist Chanting Group |
| 17:30 |
Liu Li |
The Unbalanced Administration in Protection of Intangible Music Culture——A Case of Development and Inheritance of Enshi Tujia Minority Musical Culture |
| VID10 |
* The Cultural Dynamics of Hong Kong Popular Music — Three Theoretical Approaches (WONG Ting-yiu) |
| 17:00 |
Fang Bo |
Local Sound? Local Context? Musical and Theological Analysis of Localized Hong Kong Praise and Worship Music |
| 17:30 |
Wong Ting Yiu |
The Identity of Hong Konger in Musical Sound, 1974: Analysis on a Cantopop Song — The Fatal Irony |
| 18:00 |
Laura Teresa Spence |
The Politics of Resistance Music: Hong Kong’s Tiananmen Square Incident Memorial Vigil |
| VID11 |
* Imagined Borders and Unexpected Intersections: Exploring Musical Legacies in Three Communities (Margaret E Walker) |
| 17:00 |
Helen Southall |
Field Hollers, Foxtrots and Fire Watching: The Real, Imagined and Virtual Worlds of a Provincial Wartime Dance Hall |
| 17:30 |
Margaret E. Walker |
The Other Eight Percent? Multicultural Alliances and Social Imaginaries in a Small Canadian City |
| 18:00 |
Gordon E. Smith |
Music in Unexpected Places: Songs of Hope in a Mi’kmaq Community |
18:30–20:00 Dinner
| VIEW1 |
Film (Paola Barzan) |
| 20:00 |
Matthew Allen and Mel Mercier |
Seán Ó Sé: Saol Caite le hAmhráin agus Scéalta / A Life in Song and Story |
| VIEW2 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Music and Minorities |
| VIEW3 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Performing Arts of Southeast Asia |
| VIEW4 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Mediterranean Music Studies |
| VIEW6 |
Workshop |
| 20:00 |
Catherine Foley |
Irish Solo Step Dancing |
Wednesday, 19 July 2017
| VIIA01 |
Roundtable — How Colonial is Academia? Knowledge Production and Dissemination in Ethnomusicology and Ethnochoreology |
| 09:00 |
Nora Bammer & María Gabriela López Yánez, Co-Chairs |
Panellists: María Gabriela López Yánez, Nora Bammer, Amin Farid Soultari, Wei-ya Lin, Javier Silvestrini |
| VIIA02 |
ETHNOMUSICOLOGICAL THEORY BUILDING THROUGH FILM, TRADITIONAL THEORY, INNOVATION, AND TYPOLOGICAL ANALYSIS (Timothy Rice) |
| 09:00 |
Timothy Rice |
Film as a medium for conveying theory: The case of “May It Fill Your Soul.” |
| 09:30 |
Sachi Amano |
The influence of On-Yo-Gogyo (Yin-Yang and five elements) theory on Japanese traditional flute Nohkan. |
| 10:00 |
Austin Emielu |
Tradition, Innovations and Modernity in African Music: Towards a Theory of Progressive Traditionalism |
| 10:30 |
Žanna Pärtlas |
Exploring Models of Musical Thinking: The Typological Analysis of the Seto (Southeast Estonia) Collective Laments |
| VIIA03 |
* ICTM Ireland Representative Panel: Music, Technology, Tradition (Tony Langlois) |
| 09:00 |
Lonán Ó Briain |
Reproducing the Homeland: Music Ensembles of the Voice of Vietnam Radio |
| 09:30 |
Jaime Jones |
Beyond Interlocutors: Ethnography and Self-Curating Musical Cultures |
| 10:00 |
Ioannis Tsioulakis |
Documenting Music in the Greek Crisis: From Web-Ethnography to Participant Commiseration |
| 10:30 |
Michalis Poupazis |
Irishness and the Cypriot Diaspora: Mediterranean Bodies on Britain’s Got Talent |
| VIIA04 |
* Benin as Crossroads: circulations of musical materials, past and present, in the Afro-Atlantic world (Lyndsey Marie Hoh) |
| 09:00 |
João De Athayde |
The Bourian of the Agudas – the Brazilians of Benin: mask, music and identity in a post-slavery context |
| 09:30 |
Sarah Politz |
Zenli Rénové: Social Reproduction and the “Popularization” of a Danxomean Royal Court Style In and Out of Benin |
| 10:00 |
Lyndsey Marie Hoh |
Brass Instruments in Benin and Experiences of the Historical |
| VIIA05 |
THE CONTRIBUTION OF FESTIVALS TO SOCIAL AND CULTURAL LEGACIES (Placida Staro) |
| 09:00 |
Nimisha Shankar |
Art and culture festivals: the connoisseurs of traditional music |
| 09:30 |
Susana Moreno Fernández |
Music festivals and their contribution to shaping new social and cultural legacies |
| VIIA06 |
Ottoman Music Studies and Religious Interactions on Music Theory (Sinibaldo De Rosa) |
| 09:00 |
Federica Nardella |
Power shifts and the making of tradition: the case of the Ottoman şarkı faslı |
| 09:30 |
Nevin Şahin |
Religious Interactions on Music Theory: A Case Study of 18th Century Makam Music |
| VIIA07 |
DIASPORA STUDIES IN NIGERIA, TURKEY AND AUSTRALIA (Naila Ceribašić) |
| 09:00 |
Emma Nixon |
Scottish Music in Australia: A New Voice for an Old Tradition |
| 09:30 |
Jeanette Mollenhauer |
Irish Dancing in Australia: Cherishing a Changing Legacy |
| VIIA08 |
THE DEVELOPMENT OF LEGACIES IN THE UNITED STATES AND WEST AFRICA (Randal Baier)/th> |
| 09:00 |
Benjamin J. Harbert |
Disciplining Jazz: The History of Contemporary Jazz and the Legacy of Traditional Blues at Louisiana State Penitentiary |
| 09:30 |
Katharine Stuffelbeam |
Legacy of a Dagbamba dancer: Madam Fuseina Wambei and her contribution to the culture of West African performing arts |
| VIIA09 |
INDIVIDUAL CONTRIBUTORS TO MUSICAL LEGACIES IN THE AMAZON AND IRELAND (Mats Melin)/th> |
| 09:00 |
Paulo Murilo Guerreiro do Amaral |
About Felix Robatto’s musical know-how and the Amazonia cultural formation linked to the tradition of guitarradas |
| 09:30 |
Adele Commins |
Put a swing in it’: The musical legacy of Rory Kennedy in Co. Louth, Ireland |
| 10:00 |
Colette Moloney |
The Life and Legacy of a Gaelic Harper: Arthur O’Neill (c.1734-1816) |
| VIIA10 |
SATIRE AND THEATRICAL DYNAMISM IN DANCE MUSIC AND MUSIC ICONS (Georgiana Gore) |
| 09:00 |
Ubochioma Stella Igbokwe |
Írìráábú: The Significance Of Musical Satire In Ékpè Dance Music Amongst Obohia-Ndoki People |
| 09:30 |
Yohanes Hanan, Akiko Nozawa, Bambang Sugito |
Reading Music Icons within a Theatrical Dynamism: The Reliefs of Candi Penataran in East Java, Indonesia |
| VIIA11 |
SEAN-NOS SONG (IRELAND), BENGAWAN SOLO (SOUTHEAST ASIA), AND SOUNDS OF BELFRY AND MINARET (BULGARIA) (Raja Iskandar Bin Raja Halid) |
| 09:00 |
Éamonn Costello |
Sean-nós song: Escapism and the Longing for Home. |
| 09:30 |
Yick-sau Lau |
The circulation of cover versions of Bengawan Solo in post-war East and Southeast Asia |
| 10:00 |
Donna Buchanan |
Belfry vs. Minaret: The Politics of Audible Cosmology in 2010 Bulgaria |
| VIIA12 |
Workshop |
| 09:00 |
Eliana Gilad |
Healing Sounds from Ancient Traditions |
11:00–11:30 Morning tea
| VIIB01 |
Celebratory Roundtable — Soviet Musicology Versus the ICTM |
| 11:30 |
Razia Sultanova, Chair |
Panellists: Razia Sultanova, Zilya Immamutdinova, Guzel Sayfullina, Kanykei Muhtarova |
| VIIB02 |
* Potential for collaboration between museums and ethnomusicologists (Terada Yoshitaka) |
| 11:30 |
Hsin-chun Tasaw Lu |
Museum Exhibitions as Alternative Way of Building Ethnomusicological Knowledge |
| 12:00 |
Xiao Mei |
Between Virtuality and Reality: A Digital Exhibition based on Systematic Researches of Plucked Lutes in China |
| 12:30 |
Terada Yoshtaka |
Safeguarding Performing Arts through Museum Activities |
13:00–14:30 Lunch
| VIIC01 |
Contesting Silences, Claiming Space: Discourses on Music, Gender and Sexuality (Barbara L. Hampton) |
| 14:30 |
Barbara L. Hampton |
Positive Responses, Uneven Experiences: An Intersectional Analysis of Ga Women’s Adaawe |
| 15:00 |
Kathryn Alexander |
"Being Different as Politely as Possible": Queer Presence in Country Dancing |
| 15:30 |
Michiko Hirama |
The Incorporation of Patriarchy: The Chinese Impact on Women’s Presence in 8th Century Japanese Music |
| 16:00 |
James Nissen |
Local Voices, Global Conversations: Transnational Feminism at WOMAD |
| VIIC02 |
* Reimagining the Balkans: Soundscapes of Migrants, Diasporas and Stereotypes (Marija Dumnić) |
| 14:30 |
Ivana Medić |
The Soundscape of Hope |
| 15:00 |
Mojca Kovačič |
Sounds of National Religiosity: Polka Mass between Slovenia and USA |
| 15:30 |
Marija Dumnić |
Imagining the Balkans’ Soundscape in Music Industry and in Ethnomusicology |
| VIIC03 |
MUSIC AND GENDER (Jennifer Fraser) |
| 14:30 |
Noora Karjalainen |
“Her voice is butterflies and dappled light…” The female folk singer and gendered authenticity |
| 15:00 |
Bronwen Clacherty |
Finding traces of women’s lives through their songs and stories to add a gendered dimension to our understanding of cross-oceanic interaction on the East African coast pre-1500. |
| VIIC04 |
ASPECTS OF THE STUDY OF MUSICAL INSTRUMENTS (Gisa Jähnichen) |
| 14:30 |
Jennifer C Post |
Gesture, Embodiment, Materiality and Space in Musical Instrument Making |
| 15:00 |
Juan Sebastian Correa Caceres |
The Conch Shell as a Musical Instrument in Prehistoric Malta |
| 15:30 |
Iskra Rojo |
The National Museum of Cultures in Mexico City: an opportunity for the human dialogue between the musical cultures of the world through organology |
| VIIC05 |
Roundtable — Advances and theoretical-methodological challenges in the analysis of the indigenous music of the South American lowlands (Deise Lucy Oliveira Montardo) |
| 14:30 |
Deise Lucy Oliveira Montardo, Chair |
Panellists: Ana Paula Lima Rodgers, Matthias Lewy, Sonia Regina Lourenço |
| VIIC06 |
MUSIC, RESISTANCE AND ACTIVIST ETHNOMUSICOLOGY (David A. McDonald) |
| 14:30 |
Sevi Bayraktar |
Horon Dance and Environmentalist Resistance in Turkey |
| 15:00 |
David A. McDonald |
Winning Hearts and Minds: Activist Ethnomusicology, Free Speech, and the ‘War on Terror’ |
| 15:30 |
Kai Åberg |
Finnish Romani songs: A product or a process? The constructivist perspective to the music of the Finnish Kaale. |
| 16:00 |
Stephen R. Millar |
Irish Rebel Songs and the Legacy of Militant Republicanism in Belfast |
| VIIC07 |
MUSIC AND MODERN TECHNOLOGY: ONLINE TRANSMISSION, E-TEXTBOOK PUBLISHING, AND 3D PRINTING (Don Niles) |
| 14:30 |
Kiku Day |
Musicianship as citizenship: The shakuhachi, digital community, and online transmission of a tradition |
| 15:00 |
Alison Arnold & Jonathan Kramer |
Opportunities and Challenges in Digital World Music E-Textbook Publishing |
| 15:30 |
Jared Katz |
The Maya Music Program: Using a 3D Printer for Community Outreach |
| VIIC08 |
THE INFLUENCE OF INDIVIDUALS ON MUSICAL LEGACIES (Henry Spiller) |
| 14:30 |
Susan Hurley-Glowa |
How Legends are Made: Building the Legacy of Cape Verdean Folk Hero Norberto Tavares |
| 15:00 |
Sabrina Margareta Sauer |
Influence of the individual: M. Dorjdagva’s reconstruction of Mongolian long-song legacy |
| 15:30 |
Masaya Shishikura |
Karayuki-san’s Legacy of Lullaby: Tracing the Neglected Histories of Japanese Overseas Prostitutes |
| VIIC09 |
TRAUMA AND THE THERAPEUTIC POWER OF MUSIC AND DANCE (Bussakorn Binson) |
| 14:30 |
Monica Yadav |
"The Pied Piper of Hamelin": Music/Trauma |
| 15:00 |
Nicole Vickers |
Inclusion: How inclusive analysis and neurological research shed light on the music-dance connection |
| 15:30 |
Rebecca Sager |
Power tools for the ethnomusicologist’s tool box |
| 16:00 |
Rinko Fujita |
Support, Recovery, Grief and Gratitude: Musical Activities in Post-Disaster Settings in Modern Japanese Society |
| VIIC10 |
UNDERSTANDING CREATIVITY IN AND DECOLONISING AFRICAN MUSIC, REHABILITATING INMATES THROUGH MUSIC AND DANCE IN ZIMBABWE, AND FOREGROUNDING THE CURATORIAL IN ETHNOMUSICOLOGY AND ETHNOCHOREOLOGY (Matthew Santamaria Constancio Maglana) |
| 14:30 |
Paschal Yao Younge |
Azagu: Creating models for understanding creativity in relation to the Ewe Master Drummer ’s Art |
| 15:00 |
Brett Pyper |
Foregrounding the Curatorial in Ethnomusicology and Ethnochoreology |
| 15:30 |
Sylvia Bruinders |
On Decolonising African Music: A View from South Africa |
| 16:00 |
Claudio Chipendo |
The rehabilitation of inmates through music and dance in Zimbabwe; The Case of St Thomas Prison and Correctional services. |
| VIIC11 |
SURVIVALS, REVIVALS AND TRANSFORMATIONS OF MUSICAL TRADITIONS (Jonathan P.J. Stock) |
| 14:30 |
Bryan Burton |
Preserving the Voice of the Wind: Origin, disappearance, rediscovery, renaissance, and future of the Native American Flute |
| 15:00 |
Michael Davidson |
Revising Blacking and Venda Hockets for First Access and Family Ukuleles |
| 15:30 |
Guan Bingyang |
Turbulence under the fog: North Korean Soundscape in ‘New Korea’ magazine, 1951-1970 |
16:30–17:00 Afternoon tea
| VIIDCH |
CLOSING CEREMONY |
| 17:00 |
|
Closing Ceremony |
18:30–20:00 Dinner
| VIIEW2 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Music and Dance in Southeastern Europe |
| VIIEW3 |
ICTM Study Group Business Meeting |
| 20:00 |
|
Multipart Music |
20:00 Céilí night at Kilmurray Lodge Hotel
