Below you find a list of SGMO-members' publications relevant to Music of Oceania. The list is arranged in alphabetic order according to the authors' names. The date in brackets just below the author's name indicates the last update of this author's bibliography.

Ammann, Raymond
(5. January 2006)

Books
1994. Les danses Kanak: une introduction. Nouméa: Agence de Développement de la Culture Kanak.
1997. Danses et Musiques Kanak, Une présentation des danses et des musiques mélanésiennes de Nouvelle-Calédonie, dans les cérémonies et dans la vie quotidienne, du XVIIIe siècle à nos jours. Nouméa: A.D.C.K.
1997. Kanak Dance and Music, ceremonial and intimate performance of the Melanesians of New Caledonia, historical and actual. London: Kegan Paul International / Nouméa: A.D.C.K. (English Version of Danses et Musiques Kanak).
To appear in 2006 Music, Magic and Secrets. Ceremonial music and musical instruments on the islands of Vanuatu, South Pacific.

Articles
1993. „Pic-eine'rkin - Throat Singing on the Chukchi Peninsula“. Etudes Inuit Studies. Vol.17, n°2. Québec: Université Laval, 63-72.
1993. „An introduction to Kanak Dances“. Who We Are: VIth Festival of Pacific Arts Rarotonga - Cook Islands - 1992: Delegation of New Caledonia. Nouméa: A.D.C.K., 30-49.
1993. „Les musiques de danse traditionnelle“. Mwà Véé, Revue Culturelle Kanak. n° 2. Nouméa: A.D.C.K., 10-11.
1994. „Throat Singing on the Chukchi Peninsula“. Jahrbuch für musikalische Volks- und Völkerkunde. n°15. Berlin: Freie Universität, 33-42.
1994. „La musique et les danses de l'aire paicî“. Mwà Véé, Revue Culturelle Kanak. n° 5. Nouméa: A.D.C.K., 9-10.
1995. „La Renaissance de la Flûte Kanak“. Flûtes du Monde, de l'Océanie à Madagaskar. Revue Culturelle de l'Association Flûtes du Monde - AFM. n° 1995, Belfort, 12-23.
1995. „Les trois flûtes“ and „Le pilou photographié“. Studio canaque, histoire kanak. Catalogue to the exhibition in the Musée Territorial of New Caledonia, Nouméa, 18 + 24.
1996. „A Revival of the Ancient Kanak Flute“. Kulele: Occasional Papers on Pacific Music and Dance, 2. Ed. Don Niles. Cultural Studies Division. The National Research Institute, Boroko, Papua New Guinea, 47-56.
1997. „Le rythme Kanak“. Cahiers de Musiques Traditionnelles n° 11. Genêve: Musée d'Ethnographie / AIMP, 237-247.
1998. „Side-blown flutes of New Caledonia“ (401-402), „Music in the Loyalty Islands“ (682-684) und „Archives and Institutional Resources, New Caledonia“ (964-965). Encyclopaedia of World Music. Ed. Kaeppler A. und Love J. New York: Garland Publishing.
1998. „How Kanak is Kaneka Music, The Use of Traditional Percussion Instruments in the Modern Music of the Melanesians in New Caledonia“. The World of Music. Old Instruments in New Contexts: Case Studies of Innovation and Appropriation. vol. 40(2), 9-27.
1998. „La musique et la danse“. Chroniques du Pays Kanak vol. IV. Nouméa: Planète
Memo, 15-63.
1998. „Trois textes sur le pilou“. Introduction to the re-edition of Maurice Leenhardt, Le pilou, (1937). Nouméa: Edition Grain de Sable, 5-9.
1999. „Danses et musiques kanak dans la période des Accords de Matignon“. Le Mémorial Calédonien. Nouméa: Planète Memo, 27-35.
2000. „Using Ethnomusicology to Assist in the Maintenance of Kastom, with Special
Reference to New Caledonia and Vanuatu“. Traditionalism and Modernity in the Music and Dance of Oceania: Essays in Honour of Barbara B. Smith. Ed. Reeves H. Oceania Monograph (52), 151-163.
2002. „The Archive of the Vanuatu Cultural Centre: The Preservation and Maintenance of Melanesian Music”. Proceedings of the Conference of the Occasion of the 100th Anniversary of the Berlin Phonogramm-Archiv. Berlin, 371-378.
2004 (with Oswald Iten) „Staubkorn des Kolonialreichs. Neukaledonien: Ein Modell für eine schonende Dekolonisierung“. Der Überblick, Zeitschrift für ökumenische Begegnung und internationale Zusammenarbeit. (I), 68-71.
2005 „Musique de Vanuatu: Le tamtam (tambour à fente) ” and „Les danses du Vanuatu 'pablik danis'” in 101 mots pour le Vanuatu. Editions Ile de Lumière, Nouméa, Nouvelle- Calédonie.

Reviews
1994. Crowe, Peter. „Vanuatu (Nouvelles-Hébrides / New Hebrides). Singsing Danis Kastom / Musiques Coutumières / Custom Music“ (CD). Mwà Véé, Revue Culturelle Kanak. n° 5. Nouméa: A.D.C.K.
1996. Zemp, Hugo. „Ecoute le bambou qui pleure“. ICTM-Yearbook.
1998. Yamada, Yoichi. „Songs of Spirits: An Ethnography of Sounds in a Papua New Guinea Society“. Journal de la Société des Océanistes. Musée de l’Homme, Paris. 107 (2).
2005. Aubert, Laurent. „Les Feux de la Déesse“. Tsantsa nr. 11.
Translations
To appear 2006. From German “Ethnologie des Néo-Calédoniens et des Loyaltiens” to French „Ethnologie der Neu-Caledonier und Loyalty-Insulaner“ Fritz Sarasin (1929). Project of the Museum der Kulturen, Basel.

Musical tapes
1994. Set with three music tapes: Chants traditionnels des îles Loyauté. n° 1-3. 1. Iaaï, 2. Drehu, 3. Nengone. Maré: Centre Culturel Yeiwene Yeiwene / Nouméa: Agence de Développement de la Culture Kanak.

CDs
1997. Nouvelle Calédonie, Danses et Musiques Kanak / New Caledonia, Kanak Dance and Music, CD, Archives Internationales de Musique Populaire. Genf: Musée d'Ethnographie/ AIMP.
2001. Ol Voes blong Vanuatu, Les Voix du Vanuatu, Voices of Vanuatu. VKS-Productions, Vanuatu Kaljoral Senta, Port Vila, Vanuatu.

Films
1993. La Danse de Wetr. Nouméa: A.D.C.K., 26 mins.
1994. Danse de Ti.-Ga., Nouméa: A.D.C.K., 18 mins.
2004. Karum Nupu, Basket for Songs, three versions (English, German, French), VKS-Productions, Port Vila, 36 mins.
2004. From Basel to the Pacific, VKS-Productions, Port Vila, 18 mins.

Sound tracks
1998. Creation of a dance, composition and production of sound track for the film: Le poulpe et le rat (56 min.). Paris/Nouméa: Radio France Outre-Mer.

Barwick, Linda
(29 November 2005)

AUDIOGRAPHY
Barwick, L., & Birch, B. (forthcoming). Ldalha: Sea Songs of Northwestern Arnhem Land [audio CD with scholarly notes]. Jabiru, NT: Jabiru Press.
Barwick, L., Birch, B., & Williams, J. (2005). Jurtbirrk love songs of northwestern Arnhem Land [audio CD with scholarly notes]. Batchelor, NT: Batchelor Press.
Barwick, L. (2003). Jadmi Junba: Public dance songs by Nyalgodi Scotty Martin [audio compact disc]. Sydney: Undercover Music RRR135.
Marett, A., Barwick, L., & Ford, L. (2001). Rak Badjalarr: Wangga songs by Bobby Lane, Northern Australia [audio compact disc]. Canberra: Aboriginal Studies Press.
Papulu Apparr-kari Aboriginal Language and Culture Centre, & Barwick, L. (2000). Yawulyu mungamunga: Dreaming songs of Warumungu women, Tennant Creek, Central Australia [audio compact disc]. Sydney: Festival Records D139686.
Marett, A., & Barwick, L. (1993). Bunggridj bunggridj: Wangga songs by Alan Maralung, northern Australia. Traditional Music of the World 4 [booklet to accompany audio compact disc]. Washington D.C.: Smithsonian Folkways CD SF40430.

BIBLIOGRAPHY
Marett, A., Barwick, L., & Ford, L. (contracted). Wangga Songs of Northwest Australia. Recordings, song-texts, & translations in their historical and ethnographic contexts. Sydney: Sydney University Press.
Barwick, L., & Thieberger, N. (2006). Cybraries in paradise: new technologies and ethnographic repositories. In C. Kapitzke & B. C. Bruce (Eds.), Libr@ries: Changing information space and practice. Mahwah, N.J.: Lawrence Erlbaum.
Barwick, L., Marett, A., Walsh, M., Reid, N., & Ford, L. (2005). Communities of interest: issues in establishing a digital resource on Murrinh-patha song at Wadeye (Port Keats), NT. Literary and Linguistic Computing, 20(4), 383-397.
Barwick, L., Koch, G., Arthur, B., & Morphy, F. (2005). Performing arts, sport and games. In B. Arthur & F. Morphy (Eds.), Macquarie Atlas of Indigenous Australia (pp. 126-139). Macquarie University: Macquarie Library.
Barwick, L. (2005). Networking digital data on endangered languages of the Asia Pacific region. International Journal of Indigenous Research, 1(1), 11-16.
Barwick, L. (2005). A musicologist’s wishlist: some issues, practices and practicalities in musical aspects of language documentation. In P. K. Austin (Ed.), Language documentation and description (Vol. 3, pp. submitted). London: School of Oriental and African Studies.
Barwick, L. (2005). Marri Ngarr lirrga songs: a musicological analysis of song pairs in performance. Musicology Australia, 29, in press.
Barwick, L. (2005). Performance, aesthetics, experience: thoughts on Yawulyu mungamunga songs. In E. Mackinlay, S. Owens & D. Collins (Eds.), Aesthetics and experience in music performance (pp. 1-18). Amersham, Bucks: Cambridge Scholars Press.
Barwick, L. (2004). Turning it all upside down . . . Imagining a distributed digital audiovisual archive. Literary and Linguistic Computing, 19(3), 253-263.
Marett, A., & Barwick, L. (2003). Endangered songs and endangered languages. In J. Blythe & R. M. Brown (Eds.), Maintaining the Links: Language Identity and the Land. Seventh conference of the Foundation for Endangered Languages, Broome WA. (pp. 144-151). Bath, UK: Foundation for Endangered Languages.
Barwick, L., Marett, A., & Simpson, J. (2003). Researchers, Communities, Institutions and Sound Recordings. Refereed online conference proceedings. Retrieved 14 August, 2004, from http://conferences.arts.usyd.edu.au/index.php?cf=2
Barwick, L., & Marett, A. (2003). Aboriginal traditions. In A. Scott-Maxwell & J. Whiteoak (Eds.), Currency Companion to Music and Dance in Australia (pp. 26-27). Sydney: Currency Press.
Barwick, L. (2003). Tempo bands, metre and rhythmic mode in Marri Ngarr 'Church Lirrga' songs. Australasian Music Research, 7, 67-83.
Barwick, L. (2003). The Endangered Cultures Research Group's digitisation project: using digital audio for musicological research. In C. Cole & H. Craig (Eds.), Computing Arts 2001: Digital resources for research in the humanities (pp. 147-159). University of Sydney: Research Institute for Humanities and Social Sciences, University of Sydney, in association with the Australian Academy of the Humanities.
Barwick, L. (2000). Song as an Indigenous art. In M. Neale & S. Kleinert (Eds.), Oxford companion to Aboriginal art and culture (pp. 328-335). Melbourne: Oxford University Press.
Barwick, L. (1998). Australia: Music of immigrants: Italians. In A. Kaeppler & J. W. Love (Eds.), Encyclopedia of World Music (Oceania Volume) (pp. 79-82). New York: Garland Publishing.
Barwick, L. (1998). Gender in Australian music. In A. Kaeppler & J. W. Love (Eds.), Encyclopedia of World Music (Oceania Volume) (pp. 241-243). New York: Garland Publishing.
Barwick, L. (1998). The Kimberleys area. In A. Kaeppler & J. W. Love (Eds.), Encyclopedia of World Music (Oceania Volume) (pp. 430-433). New York: Garland Publishing.
Barwick, L. (1997). Italian music in Australia. In W. Bebbington (Ed.), Oxford companion to Australian music (Vol. 300-301). Melbourne: Oxford University Press.
Barwick, L., & Marett, A. (1996). Selected audiography of traditional music of Aboriginal Australia. Yearbook for Traditional Music, 28, 175-188.
Barwick, L. (1996). Obituary for Catherine Ellis. Yearbook for Traditional Music, 28, xi-xiii.
Barwick, L. (1996). Obituary for Catherine Ellis. Australian Aboriginal Studies, 1996(2), 97-99.
Barwick, L. (1996). Obituary for Catherine Ellis. Music forum, 3(1), 2.
Barwick, L. (1996). Gender "taboos" and didjeridus. In K. Neuenfeldt (Ed.), The didjeridu: from Arnhem Land to Internet (pp. 89-98). Sydney: John Libbey in association with Perfect Beat Publications.
Barwick, L., Marett, A., & Tunstill, G. (Eds.). (1995). The essence of singing and the substance of song: Recent responses to the Aboriginal performing arts and other essays for Catherine Ellis. Sydney: University of Sydney.
Barwick, L., & Marett, A. (1995). Selected audiography of traditional music. In L. Barwick, A. Marett & G. Tunstill (Eds.), The essence of singing and the substance of song (pp. 223-230). Sydney: University of Sydney.
Barwick, L., & Marett, A. (1995). Introduction. In L. Barwick, A. Marett & G. Tunstill (Eds.), The essence of singing and the substance of song (pp. 1-10). Sydney: University of Sydney.
Barwick, L. (1995). Catherine Ellis: career history and list of publications, papers and reports. In L. Barwick, A. Marett & G. Tunstill (Eds.), The essence of singing and the substance of song (pp. 209-222). Sydney: University of Sydney.
Barwick, L. (1995). Unison and "disagreement" in a mixed women's and men's performance from the Ellis collection, Oodnadatta, 1966. In L. Barwick, A. Marett & G. Tunstill (Eds.), The essence of singing and the substance of song (pp. 95-105). Sydney: University of Sydney.
Barwick, L. (1994). The Filipino komedya and the Italian maggio: cross-cultural perspectives on related genres of popular music theatre. In A. M. Gibbs (Ed.), Masks of time: drama and its contexts (pp. 71-108). Canberra: Australian Academy of the Humanities.
Barwick, L. (1994). Song. In D. Horton (Ed.), Encyclopedia of Aboriginal Australia (Vol. 2, pp. 1005-1006). Canberra: Aboriginal Studies Press.
Barwick, L. (1992). Comment on J. Hirshberg's forum article 'In search of a model for transplanted musics'. Musicology Australia, 15, 34-35.
Barwick, L. (1991). Same tunes, different voices: contemporary use of traditional models in the Italian Folk Ensemble's Ballata grande per Francesco Fantin (Adelaide, 1990). Musicology Australia, 14, 47-67.
Comin, A., & Barwick, L. (1991). Ballata grande per Francesco Fantin/Ballad for Francesco Fantin. Text and musical transcriptions as performed in Adelaide, 1990. Musicology Australia, 14(68-84).
Barwick, L. (1991). Review of Margaret Kartomi, On concepts and classifications of musical instruments. Chicago and London, University of Chicago Press, 1990. Sounds Australian, 31(Spring 1991), 41-42.
Barwick, L. (1991). Review of Women and music in cross-cultural perspective. Edited by Ellen Koskoff. Urbana and Chicago, University of Illinois Press, 1989 (Illini books edition. Reprint. Originally published New York, Greenwood Press, 1987). Australian Journal of Anthropology, 2(1), 149-150.
Barwick, L. (1991). Partial records: the problematics of loss and change in historical ethnomusicology. In Y. Tokumaru, M. Ohmiya, M. Kanazawa, O. Yamaguti, T. Tukitani, A. Takamatsu & M. Shimosako (Eds.), Tradition and its future in music (pp. 139-145). Tokyo and Osaka: Mita Press.
Barwick, L. (1991). Secondary Documentation of the Group Project on Andagarinja (Antikirinya) Women, northern South Australia, 1966-68 Expeditions. Restricted document deposited in the Archive of the Australian Institute of Aboriginal and Torres Strait Island Studies MS 3042 [534 pp.].Unpublished manuscript, Canberra.
Ellis, C., Barwick, L., & Morais, M. (1990). Overlapping time structures in a Central Australian women's ceremony. In P. K. Austin, R. M. W. Dixon, T. Dutton & I. M. White (Eds.), Language and history: essays in honour of Luise Hercus (pp. 101-136). Canberra: Pacific Linguistics, Australian National University.
Barwick, L. (1990). Review of Songs of Aboriginal Australia. Edited by Margaret Clunies Ross, Tamsin Donaldson, and Stephen A. Wild. Oceania Monograph 32. Sydney, University of Sydney, 1987. Ethnomusicology, 34, 177-179.
Barwick, L. (1990). Central Australian women's ritual music: knowing through analysis versus knowing through performance. Yearbook for Traditional Music, 22, 60-79.
Ellis, C., & Barwick, L. (1989). Time consciousness of Indigenous Australians. In G. F. Messner (Ed.), Introduction to the performing arts (pp. 1-27). Geelong, VIC: Deakin University.
Ellis, C., & Barwick, L. (1989). Antikirinja women's song knowledge 1963-72: its significance in Antikirinja culture. In P. Brock (Ed.), Women, rites and sites: Aboriginal women's cultural knowledge (pp. 21-40). Melbourne: Allen & Unwin.
Barwick, L. (1989). Creative (ir)regularities: the intermeshing of text and melody in performance of Central Australian song. Australian Aboriginal Studies, 1989(1), 12-28.
Ellis, C., Brunton, M. L., & Barwick, L. (1988). From the Dreaming rock to reggae rock. In A. McCredie (Ed.), From Colonel Light into the footlights: the performing arts in South Australia, 1836 to the present (pp. 151-172). Adelaide, S.A.: Pagel Books.
Ellis, C., & Barwick, L. (1988). Singers, songs and knowledge. In A. McCredie (Ed.), Conspectus carminis: essays for David Galliver (Miscellanea Musicologica, 15) (pp. 284-301). Adelaide, SA: University of Adelaide.
Ellis, C., & Barwick, L. (1987). Musical syntax and the problem of meaning in a Central Australian songline. Musicology Australia, 10, 41-57.
Barwick, L. (1987). Comment on J. Stubington's forum article 'Preservation and conservation of Australian traditional musics'. Musicology Australia, 10, 10.
Barwick, L. (1987). Italian traditional music in Adelaide. In K. Hollinshead (Ed.), The possum stirs... Proceedings of the second National Folklore Conference (pp. 377-389). Sydney: Australian Folk Trust.
Barwick, L. (1987). Italian traditional music in Adelaide. Australian Folklore, 1, 44-67.
Barwick, L. (1985). Multiculturalisms. Centre for Research into New Literatures in English Reviews Journal, 2, 80-82.

Hayward, Philip
(20. November 2005)

Book Publications:
Hayward, P (ed) From Pop, to Punk, to Postmodernism - Australian Popular Music and Culture From the 1960s to the 1990s, Sydney: Allen and Unwin (1992) - 188 pages

Hayward, P Music at the Borders - Not Drowning, Waving and their engagement with Papua New Guinean music 1986-96, Sydney: John Libbey & Co. (1998) - 216 pages

Hayward, P (ed) Sound Alliances - Indigenous Peoples, Cultural Politics and Popular Music in the Pacific, London and New York: Cassell (1998) - 220 pages

Hayward, P Tide Lines: Music, Tourism and Cultural Transition in the Whitsunday Islands, Lismore: Music Archive for The Pacific Press (2001) - 212 pages

Hayward, P Hearing The Call – A Music History of Lord Howe Island, Lord Howe Island Arts Council (2003) – 102 pages

Hayward, P (ed) Outback and Urban: Australian Country Music Volume One, Gympie: Australian Institute of Country Music Press (2003) – 224 pages

Hayward, P (ed) Off The Planet: Music, Sound and Science Fiction Cinema, Paris: John Libbey and Co/Perfect Beat Publications (2004) – 214 pages

Hayward, P and Walden, G (eds) Roots and Crossovers: Australian Country Music Volume Two, Gympie: Australian Institute of Country Music Press (2004) – 196 pages

Hayward, P Bounty Chords: Music, Culture and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh (UK): John Libbey and Co (2006) – 240 pages

Articles in Refereed Academic Journals:
Hayward, P 'Sound Commodities: Copyright, Sampling and Cultural politics', Media Information Australia n64, May 1992, pp42-47

Hayward, P and Orrock, G 'Window of Opportunity - CD-Roms and the Music Industry', Convergence - The Journal of Research Into New Cultural Technologies, v1 n1 Spring 1995, pp61-79

Hayward, P 'Enterprise on The New Frontier - Music, Industry & The Internet', Convergence - The Journal of Research Into New Cultural Technologies, v1 n2 Autumn 1995 pp29-44

Hayward, P 'Mapping the Music 'Net' (review article) Convergence - The Journal of Research Into New Cultural Technologies, v2 n2 Spring 1997 pp129-134

Hayward, P 'Calling the Tune - CD-Roms and the Australian Music, Industry 1995-96', Convergence - The Journal of Research Into New Cultural Technologies, v3 n1 Spring 1997 pp90-99

Hayward, P 'DANGER RETRO-AFFECTIVITY ! - The Cultural Career of the Theremin' , Convergence - The Journal of Research Into New Cultural Technologies, v3 n4 Winter 1997 pp28-53

Hayward, P 'Interplanetary Sound Clash - Music, Technology and Territorialisation in Mars Attacks', Convergence - The Journal of Research Into New Cultural Technologies, v3 n1 Spring 1999 pp46-58

Hayward, P and Crowdy, D 'From The Ashes - The Revival of the Music Recording Industry in East New Britain following the 1994 Volcanic Eruptions', Convergence - The Journal of Research Into New Cultural Technologies, v5 n3 Autumn 1999 pp54-67

Hayward, P 'Cultural Tectonics', Convergence - The Journal of Research Into New Cultural Technologies, v6 n1 Spring 2000 pp39-47

Hayward, P 'Local Syncretism - Emergent Pacific Musics' [in
English and in Japanese translation] Popular Music Studies v4 (Japan) 2000 pp102-114

Hayward, P and Konishi, J ‘Mokuyo-to no ongaku: The music of the Japanese community in the Torres Strait 1884-1941’, Perfect Beat – The Pacific Journal of Research into Contemporary Music and Popular Culture v5 n3 July 2001 pp 34-47

Chapters in Anthologies
Hayward, P and Crowdy, D 'Questions of Origin: George Telek and David Bridie's collaborative recordings', in Niles, D (ed) Kulele v3 (2001) pp85-106

Hayward, P ‘Tourism, contact and cultural commodification: a case study of local musical entertainment on the Whitsunday Islands, Queensland, Australia from the 1930s to 1990s’ in Harrison, D (ed) Pacific Islands Tourism, New York, Sydney and Tokyo: Cognizant (2004) pp125-139

Hayward, P ‘Hauntings: Soundtrack representations of Papua New Guinea’ in Coyle, R (ed) Reel Tracks: Australian Feature Film Music and Cultural Identities, Eastleigh (UK): John Libbey and Co (2005) pp48-58

Hayward, P ‘Country Music in Norfolk Island’, in Evans, M and Walden, G (eds) At the Crossroads: Australian Country Music Volume 3, Gympie: Australian Institute of Country Music Press (forthcoming 2005)

Hayward, P ‘Dancing to a Pacific Beat: Music Video in Papua New Guinea’, in Beebe, R (ed) Music Video/Television, Durham: Duke University Press (forthcoming 2005)

Refereed Conference Proceedings:
Hayward, P (1998) ‘The Papua New Guinea music industry and the world music market’ in Mitsui, T (ed) Popular Music: Intercultural Interpretations (IASPM 6th International Conference Proceedings), Kanazawa (Japan): Kanazawa University Graduate program in Music pp442-447

Hayward, P and Hodges, G (eds) The Present and Future of Jazz in the Australia-Pacific region – refereed papers from the 1st Asia-Pacific Jazz Conference, Mackay: Central Queensland Conservatorium of Music (2004) – 108 pages

Fitzgerald, J and Hayward, P ‘Alternative Mixes: A comparative discussion of Contemporary Music programs at Macquarie and Southern Cross Universities’, in unattributed (ed) Proceedings of the XXVIth Annual Conference of the Australian Association for Research in Music Education, Melbourne AARME (2004) pp152-162

Hayward, P ‘Culturally Engaged Research and Facilitation’, in Evans, M (ed) Refereed Proceedings of the First International Conference on Small Island Cultures, Sydney: Small Island Cultures Research Initiative (forthcoming, 2005): online www.sicri.org

Mink Rossen, Jane
(3. January 2006)

Ethnomusicological Field Work on Bellona Island, Solomon Islands. In Orbis Musicae 5:66-90. Israel. 1975-76.

Bellonese musical concepts. In Journal of the Museum Association of the Solomon Islands 5:6-19. Honiara, Solomon Islands. 1977.

The Suahongi of Bellona: Polynesian Ritual Music.
In Ethnomusicology 22:397-439. 1978a.

Some Bellonese Musical Concepts and Points of Conflict with the Church. In Antropologiska Studier 25-26:21-32. (Record enclosed.)
Stockholm, Sweden. 1978b.

Musik-traditionen på Bellona ["Traditional Music of Bellona"].
In Jordens Folk 13:97-107. Copenhagen, Denmark. 1978c.

Dance on Bellona, Solomon Islands: A Preliminary Study of Style and Concept. (In collaboration with Margot Mink Colbert.) In Ethnomusicology 25(3):447-66. 1981a.

Dans fra Mungiki. In Musik og Forskning 7:240-260. ["Dance from Mungiki."] Copenhagen, Denmark. 1981b.

Musiketnologen undervejs. In Musik og Forskning 9:157167. ["Ethnomusicologist on the Way".] In Music and Research]. Copenhagen, Denmark. 1983-84.

Sangtraditionen fra Bellona, et Polynesisk ø-samfund ["Traditional Songs from Bellona, a Polynesian Island Society"]. In Musik og Forskning 12:163-184. Copenhagen. 1986-87.

Songs of Bellona Island (na taungua o Mungiki), volumes 1 & 2. Language and Culture of Rennell and Bellona Islands, volume 6. Copenhagen: Danish Folklore Archives. xvi, 367 p. (vol. 1); vi 133 p. (vol. 2). Illustrations, music, bibliography, index. (Dissertation.) 1987.

Ubesungne Kvinder: Sange og Politik på Mungiki ["Unsung Women: Songs and Politics on Mungiki"]. In Musik og Forskning 13:133-146. Copenhagen. 1988.

Extra-European Music in the Danish Folklore Archives: A Catalog. Copenhagen: Danish Folklore Archives. 96 p., illustrations, bibliography, index. 1989.
Politics and Songs: A Study in Gender on Mungiki. In Marcia Herndon & S. Ziegler, eds., Music, Gender and Culture. Intercultural Music Studies 1:173-190. Berlin: International Institute for Comparative Music Studies and Documentation. 1990.

Nogle kulturantropologiske perpektiver i musiketnologi [Some Anthropological Perspectives in Ethnomusicology]. Musik og Forskning 17:81-96, Copenhagen. 1991-92.

Early Recordings of Music from Mungiki and Mungaba, 1933-1968. In Alice M. Moyle, Ed., Music and Dance og Aboriginal Australia and the South Pacific[:] The Effects of Documentation on the Living Tradition. Oceania Monograph 41:171-184. (University of Sydney). 1992.

Aborigine musik [Australian Aboriginal music]. In Danmarks Nationalleksikon [The New Danish Encyclopedia], volume one: 22. Copenhagen. 1994.

Traditionel jødisk sang og musik opført i København [Performances of Traditional Jewish Music in Copenhagen]. In Rambam: Tidskrift for jødisk kultur og forskning [Journal of Jewish Culture and Research] 4:35-42. 1995.

Mungiki (Bellona) and Mungaba (Rennell). In Garland Encyclopedia of World Music, vol. 9 Australia and the Pacific Islands:848-53. Adrienne Kaeppler and Jacob W. Love, eds. N.Y. & London. 1998.

Bellona; The Metrics of Bellonese Verse. In The Garland Encyclopedia of World Music, vol. 9 Australia and the Pacific Islands:pp. Adrienne Kaeppler and Jacob W. Love, eds. N.Y. & London. 1998.

Performances of Traditional Jewish Music in Denmark at the end of the 1960s and the beginning of the 1990s. Jewish Studies in a New Europe Proceedings of the Fifth Congress of Jewish Studies, 1994 (under the auspices of the European Association for Jewish Studies). Eds. Ulf Haxen & H. Trautner-Kromann & Salamon. C.A.Reitzel & The Royal Library. Copenhagen. 1998.

Jødisk musik [Jewish Music], In Danmarks Nationalleksikon [Denmark’s National Encyclopedia], volume 9:229. Copenhagen. 1998.

Traditional Dance in Bellona Island (Mungiki). In The International Encyclopedia of Dance: a project of Dance Perspectives Foundation, Inc. Founding ed. Selma Jeanne Cohen; area ed.: George Dorris ... [et al.]. Berkeley: University of California Press. Vol. 1:415-6. 1998.

Oceaniens musik. [Music of Oceania]. In Danmarks Nationalleksikon, volume 14:407. Copenhagen. 1999.

Tradition and Change in the Songs of Mungiki (Bellona Island). Traditionalism and Modernity in the music and dance of Oceania. Essays in honour of Barbara B. Smith. The University of Sydney: Oceania Monographs 52, 2001:77-89. Sydney. 2001.

Bellona & Rennell. [Melanesia. Polynesian outliers, (ii)] In New Grove Dictionary of Music and Musicians. 2002.

Bellona and Rennell. In Music in the Life of Man. New Zealand.

Discography (including videotapes):

Polynesian songs and games from Bellona, Solomon Islands (30 cm lp record with brochure, 5 pp.). FE 4273, Ethnic Folkways Records. New York. 1974.

Polynesian dances from Bellona, Solomon Islands (30 cm lp record with brochure, 8 pp.). Recordings in collaboration with Hugo Zemp. Folkways FE 4274. New York. 1976.

Song sample for the article: "Some Bellonese Musical Concepts and Points of Conflict with the Church." Record enclosed in Antropologiska Studier 25-26. Stockholm. 1978.

Ritual Dances and Ancient Songs of Bellona, Solomon Islands. National Museum of Denmark videotape, exhibit: "Kulturen leve - men hvordan?" [Long Live Culture! - But How?]. Copenhagen. 1979.

Moulin Freeman, Jane
(20 December 2005)

Print:
In press “The Marquesas.” In Encyclopedia of World Folklore. Greenwood Press. (Anticipated 2006 publication date)
2005 “Oltobed a Malt (Nurture, regenerate, celebrate): The Ninth Festival of Pacific Arts in Koror, Palau. Contemporary Pacific.17 (Fall):512-516.
2004 Cueing Up: Situating Power on the Tahitian Stage. Yearbook for Traditional Music 36:113-132.
2003 Words of Tomorrow: “Spectacle” and the Festival of Pacific Arts. Pacific Arts (25):23-30.
2002 KAPUTUHE: Exploring Word-Based Performance on Marquesan Musical Instruments. Galpin Society Journal 2002 (55):130-60.
2002 Review of Ad Linkel’s book Sounds of Change in Tonga: Dance, music and cultural dynamics in a Polynesian Kingdom (3rd revised edition, 1998). In Pacific Arts (July 2001):126-128.
2001 “From Quinn’s to the Conservatory: Redefining the traditions of Tahitian dance.” In Traditionalism and Modernity in the Music and Dance of Oceania, ed. by Helen Reeves Lawrence and Don Niles, pp. 233-50. Oceania Monographs 52. Sydney: University of Sydney/Oceania Publications.
2001 Review of the CD Te Kuki ‘Airani. The Cook Islands: songs, rhythms and dances. In Yearbook for Traditional Music 32:230.
2001 A Tribute to Barbara B. Smith. SEM Newsletter.
2001 “Marquesan Music.” In New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie, vol. 20, pp. 64-65. London: Macmillan
2000 “Contemporary Music and Dance in Tahiti.” In Encyclopedia of the Pacific Islands, edited by Brig V. Lal and Kate Fortune, pp. 497-98. Auckland: Pasifika Press and the University of Hawai‘i Press.
2000 “Marquesas Islanders.” In Endangered Peoples of Oceania: Struggles to Survive and Thrive, edited by Judith M. Fitzpatrick, Chap. 6, pp. 75-91. Westport, CT: Greenwood Press.
1999 “The Art of Music.” In Musique en Polynésie, pp. 74-75. Pape‘ete: Musique en Polynésie.
1998 “Tahitian Dance.” In the International Encyclopedia of Dance, vol. 6, pp. 77-79. New York: Oxford University Press.
1998 “Marquesas Islands.” In Garland Encyclopedia of World Music, pp. 889-896. Adrienne Kaeppler and Jacob Love, eds. New York: Garland.
1998 “Music and Education.” In Garland Encyclopedia of World Music, pp. 269-71. Adrienne Kaeppler and Jacob Love, eds. New York: Garland.
1998 “Society Islands.” In Garland Encyclopedia of World Music, pp. 867-869. Adrienne Kaeppler and Jacob Love, eds. New York: Garland.
1998 “Tahiti - Dance." In Garland Encyclopedia of World Music, pp. 873-879. Adrienne Kaeppler and Jacob Love, eds. New York: Garland.
1997 Gods and Mortals: Understanding Traditional Function and Usage in Mar¬quesan Musical Instruments. Jour¬nal of the Polynesian Society 106/3 (1997): 250-283.
1997 “Tahitian Dance as a Story-Telling Art.” In Interdisciplinary Efforts of Sport and Dance Phi¬losophy, pp. 28-39. Seoul: Korean Philosophic Society for Sport and Dance.
1997 Institutionalizing Tahitian Dance: The Move to the Classroom.” In Better Quality of Sport and Physical Education for All. Proceedings of the ’97 Seoul International Sport Science Congress, pp. 976-984. Seoul: Korean Alliance for Health, Physical Education, Recreation and Dance.
1996 What’s Mine is Yours? Cultural Borrowing in a Pacific Context. Contemporary Pacific 1996(1): 128-153.
1994 Chants of Power: Countering Hegemony in the Marquesas Islands. Yearbook for Tradi¬tional Music 1994 (26):1-19.
1994 Music in the Southern Marquesas Islands. Occasional Papers in Pacific Ethnomusicology, No. 3. Auckland: Uni¬versity of Auckland. 56 pp.
1994 Review of Lucien Kimitete's Te Hakamanumanu. Journal of the Polynesian Society 103 (1, March 1994):98-99. Co-authored with Robert Suggs; my contribution was 50%.
1993 "Marquesans." In State of the Peoples, ed. by Marc Miller, p. 107. Boston: Beacon Press, 1993.
1993 The VIth Festival of Pacific Arts, Rarotonga, Cook Islands, October 17-27th, 1992. Pacific Arts 7 (Jan. 1993):69-71.
1992 Review of Richard Moyle's Traditional Samoan Music. Journal of Musicological Research 12 (1992):185-87.
1991 Towards the Pacific Century: The Challenge of Change. Pacific Arts 5 (Jan. 1991):6-7.
1990 The Cutting Edge of Tradition. Pacific Arts 1/2(1990):36-49.
1989 Gender and Its Relationship to the Essential Traits of Tahitian Dance. UCLA Dance Ethnol¬ogy Journal 13(1989):1-9.
1989 Territorial Survey of Oceanic Music: Music of the Southern Marque¬sas Islands. Catalog of the audio collection. 5 vols. University of Auckland, Archives of Maori & Pacific Music. 750 pp.
1984 “In Music”. In Changing Lives of Hawaii's Women: Progress Since Statehood, pp. 40-43. Hono¬lulu: Foundation for Hawaii Women's History.
1979 The Dance of Tahiti. Pape‘ete: Les Editions du Pacifique/Hachette, 1979. 120 pp. [English edition.] Second printing 1985.
Favorably reviewed in Dance Research Journal 13, No. 2(1981):41-43.
1979 La Danse à Tahiti. Pape‘ete: Les Editions du Pacifique/Hachette, 1979. 120 pp. [French edition.] Second printing 1985.

Audio and Video Recordings:
2001 Permanent Collection Audio Program of the New York Metropolitan Museum of Art, Oceanic Galleries. Project # 369 AF3.
1998 Oceania. CD accompanying the Garland Encyclopedia of World Music.
Two field recordings (Tahitian drumming and a Marquesan “pig dance”), together with scholarly notes.
1998 Musician and Musical Instrument. CD produced by the Museum für Völkerkunde in Berlin. 1998.
Four field recordings of Tahitian and Marquesan drum music, together with scholarly notes.
1989 Territorial Survey of Oceanic Music: Music of the Southern Marque¬sas Islands (1989). Audio cassette tapes.
Field collection recorded under the auspices of the UNESCO Terri¬torial Survey of Oceanic Music and housed at the Archive of Maori and Pacific music at the University of Auckland.
1983 Audy. RRS 1000. LP disc. Koto performer on the title song "Looking for the Good Life". Re-released as compact disc (1994). Winner of the Hawaii Recording Artists Na Hoku Hanohano award for the Best Album of the Year (1983).
1983 Christmas Music for an Elizabethan Dinner. University of Hawa‘i. Audio cassette.
1980 Musicke for All Seasons. Executive Producer and Musical Director. ¾” videotape.
1979 Europa. Sinergia SR7207. LP disc.
1978 Nowell Sing We. Executive Producer and Musical Director. KHET--TV and KAIM-FM simulcast. ¾” videotape.

Niles, Don
(20. August 2005)

Publications, printed:
1979 Record review of Festival Music from the Solomon Islands: The Bamboo Band and the Pan-pipes (Hibiscus HLS-66); Festival Music from Hawaii: The Hawaiian Festival Contingent (Hibiscus HLS-71); Festival Music from Western Samoa: The Western Samoa Festival Performers (Hibiscus HLS-72); Festival Music from the Cook Islands: Cook Islands National Arts Theatre (Hibiscus HLS-73); Festival Music From Tonga: The Tongan Festival Contingent (Hibiscus HLS-74). Ethnomusicology 23/2 (May): 359–65.
1979 Musics of the World: A Selective Discography, Part 2. UCLA Music Library Discography Series, 2. Los Angeles: UCLA Ethnomusicology Archive.
1980 “The Traditional and Contemporary Music of the Admiralty Islands.” M.A. thesis (University of California, Los Angeles). 231 pp.
1980 Music of the Pacific. Brochure to accompany exhibit of musical instruments during the Third South Pacific Festival of Arts.
1980 “Finding an Answer to ‘What is Papua New Guinea Music?’ ” Bikmaus 1/1 (June): 85–86
1980 with Billai Laba, Thomas Lulungan, and James Jesse Pongap. “Texts, Translations, and Additional Commentaries on IPNGS Recordings, Part I.” Oral History 8/6: 91–100.
1981 “The Music Department of the Institute of Papua New Guinea Studies.” International Association of Sound Archives Phonographic Bulletin 29 (March): 33–40.
1981 “City’s Ethnic Disco Packs ’Em In.” Post-Courier (5 June): 21.
1981 “Singsing bilong Tumbuna.” New Nation 5/6 (August): 18–19.
1981 “Report from Liaison Officer.” International Folk Music Council Bulletin 58 (April): 18–20.
1981 Booklet accompanying Kamu Mariria: Music of the Maopa and Aloma cassette. IPNGS 003C. Recordings by Les McLaren and Ilaita Gigimat. 9 pp.
1981 Booklet accompanying Kovai and Adzera Music—Morobe Province cassette. IPNGS 002C. 18 pp.
1982 Book review of Sound-Producing Instruments in Traditional Society by Ken Gourlay. Ethnomusicology 26/2 (May): 330–32.
1982 Film review of Kama Wosi: Music in the Trobriand Islands. Ethnomusicology 26/3 (September): 505–06.
1982 Book review of Musical Instruments of Papua New Guinea by Vida Chenoweth. Bikmaus 3/1 (March): 33–36.
1982 with Ilaita Gigimat. Review of Cantata Buka by Lansell Taudevin. Post-Courier (14 June): 41.
1982 with Ilaita Gigimat. “Cantata Buka; Moresby Choral Society.” Bikmaus 3/4 (December): 61.
1982 “Report from Liaison Officer.” International Council for Traditional Music Bulletin 61 (October): 20–21.
1982 “Daunim Pasin Tumbuna.” Wantok Niuspepa 436 (25 Septemba – 2 Oktoba): 6.
1983 Book review of Baining Dances by Karl Hesse and Theo Aerts. Ethnomusicology 27/1 (January): 141–42.
1983 Editor. Papers Presented at the 1982 Goroka Ethnomusicology Conference. Bikmaus 4/3 (September). iv + 165 pp.
1983 “Why Are There No Garamuts in Papua?” Bikmaus 4/3 (September): 90–104.
1983 Editor. Sound-Producing Instruments in Oceania by Hans Fischer. Boroko: Institute of Papua New Guinea Studies. vi + 249 pp.
1983 “Singsing bilong Ples versus Singsing bilong Skul: The Contribution of Schools to the Deterioration of Papua New Guinea Traditional Music.” In Arts Education Seminar, ed. Roy Frost & Marjorie Walker, pp. 109–18. Port Moresby: National Institutions Division.
1983 Booklet accompanying Music of the Anga cassette. IPNGS 006C. 13 pp.
1983 with Lisa Lawson. “Papua New Guinea: Encouraging and Developing Traditional Music.” Performing Arts in Asia and the Pacific Newsletter 1/2 (December): 12–13.
1983–pres. Occasional newspaper articles on Papua New Guinea music in Wantok Niuspepa, Times of Papua New Guinea, Post- Courier, Niugini Nius, The Independent, and The National.
1984 Commercial Recordings of Papua New Guinea Music, 1949–1983. Boroko: Institute of Papua New Guinea Studies. 341 pp.
1984 “Musique et danse de Papouasie Nouvelle Guinée.” Pacific 2000 6 (October): 20.
1984 “Papua New Guinea Music and Dance.” Pacific 2000 6 (October): 21.
1984 “Music of the Anga.” Pikinini Kundu: 14–15.
1984 “Papua New Guinea Music and Dance.” Performing Arts in Asia and the Pacific Newsletter 2/2 (December): 8–9.
1984 “Careers in Music: So Much Potential, So Much Wasted Talent.” In The Urban Music Situation in Papua New Guinea From 1977 to 1984, Sandra Krempl-Pereira, compiler, pp. 48–51. Waigani: National Arts School.
1985 “The Drum: An Important Symbol of Papua New Guinea.” New Nation 7/2 (July): 19.
1985 Commercial Recordings of Papua New Guinea Music, 1984 Supplement. Boroko: Institute of Papua New Guinea Studies. 93 pp.
1985 Book review of Problems and Solutions: Occasional Essays in Musicology Presented to Alice M. Moyle by Jamie C. Kassler and Jill Stubington, eds. Bikmaus 6/1 (March): 46–50.
1985 Reply to Wolfgang Sperlich’s Review of Sound-Producing Instruments in Oceania by Hans Fischer. Journal of the Polynesian Society 94/4: 427–30.
[1985?] “Diversity As Unity: The Drum in Papua New Guinea.” Documents; 6th Asia Music Rostrum and Symposium (Pyongyang, Democratic People’s Republic of Korea): 115–120.
1986 with Michael Webb. Riwain! Papua New Guinea Pop Songs. Goroka: Goroka Teachers College and Boroko: Institute of Papua New Guinea Studies.
1986 Editor. Revised edition of Sound-Producing Instruments in Ocenia by Hans Fischer. Boroko: Institute of Papua New Guinea Studies. x + 270 pp.
1987 Commercial Recordings of Papua New Guinea Music; 1985 Supplement. Boroko: Institute of Papua New Guinea Studies. 115 pp.
1987 Commercial Recordings of Papua New Guinea Music; 1986 Supplement. Boroko: Institute of Papua New Guinea Studies. 97 pp.
1987 with Michael Webb. Papua New Guinea Music Collection. Goroka: Goroka Teachers College and Boroko: Institute of Papua New Guinea Studies. 145 pp.
1987 “Introduction.” In Paitim, Winim na Meknais: Construction and Uses of Sound Producing Instruments From Papua New Guinea and Other Parts of Oceania by Michael Webb, p. 3. Goroka: Goroka Teachers College.
1987 with Michael Webb. “Periods in Papua New Guinea Music History.” Bikmaus 7/1 (March): 50–62.
1988 Commercial Recordings of Papua New Guinea Music; 1987 Supplement. Boroko: Institute of Papua New Guinea Studies. 96 pp.
1988 “Papouasie Nouvelle Guinée: Musiques et danses des Papous; groupes Melpa et Huli.” Musiques et danses du Pacifique. Genève: Ateliers d’ethnomusicologie.
1988 “Papua-Neuguinea: Anmerkungen zur Auffuhrung der Melpa und Huli.” Festival Traditioneller Musik 88 Pazifik, pp. 6–11. Berlin: Internationales Institut für vergleichende Musikstudien.
1989 with Michael Webb. Ol Singsing bilong Ples. Boroko: Institute of Papua New Guinea Studies and Goroka: Goroka Teachers College.
1989 “Altérateurs de voix de Papouasie-Nouvelle-Guinée ou comment la confusion des données appauvrit l’organologie.” Cahiers de musiques traditionnelles 2: 75–99.
1989 Editor. Forms and Styles of Traditional Banoni Music by Regis N. Stella. Apwitihire: Studies in Papua New Guinea Musics, 1. Boroko: National Research Institute. xvi + 75 pp.
1990 “Editor’s Introduction.” In Forms and Styles of Traditional Banoni Music by Regis N. Stella, pp. vii–xv. Apwitihire: Studies in Papua New Guinea Musics, 1. Boroko: National Research Institute.
1991 Commercial Recordings of Papua New Guinea Music; 1988 Supplement. Boroko: Institute of Papua New Guinea Studies. 128 pp.
1991 “Brief Comparison of Huli and Tolai Music.” In Expressive Arts: Music; Grade 11 Teachers Resource Book by Keith Stebbins, pp. 102–103. Port Moresby: Department of Education.
1991 Editor. The Song to the Flying Fox: The Public and Esoteric Knowledge of the Important Men of Kandingei about Totemic Songs, Names and Knotted Cords (Middle Sepik, Papua New Guinea) by Jürg Wassmann. Apwitihire: Studies in Papua New Guinea Musics, 2. Boroko: National Research Institute. xxi + 313 pp.
1991 “Editor’s Introduction.” In The Song to the Flying Fox by Jürg Wassmann, pp. x–xv. Apwitihire: Studies in Papua New Guinea Musics, 2. Boroko: National Research Institute.
1991 “Spirits Given Substance through Sound: Men’s Cult Usage of Voice-modifiers in Papua New Guinea.” In Tradition and Its Future in Music; Report of SIMS 1990 Ösaka, ed. Tokumaru Yosihiko, et al., pp. 237–41 Ösaka, Japan: Mita Press.
1992 “Collection, Preservation, and Dissemination: The Institute of Papua New Guinea Studies as the Centre for the Study of All Papua New Guinea Music.” In Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition, ed. Alice Marshall Moyle, pp. 59–74. Oceania Monograph, 41. Sydney: University of Sydney.
1992 “The Chinese and Music in Papua New Guinea.” Association for Chinese Music Research Newsletter 5/2 (Summer): 31–35.
1992 “Papua New Guinea: Liaison Officer.” Bulletin of the International Council for Traditional Music 80 (April): 19–21.
1992 “Konggap, Kap, and Tambaran: Music of the Yupno/Nankina Area in Relation to Neighbouring Groups.” In Abschied von der Vergangenheit: Ethnologische Berichte aus dem Finisterre-Gebirge, Papua New Guinea, ed. Jürg Wassmann, pp. 149–84. Berlin: Dietrich Reimer.
1992 “Flute and Trumpet Ensembles in the Sepik Provinces.” In Sound and Reason: Music and Essays in Honour of Gordon D. Spearritt, ed. Warren A. Bebbington and Royston Gustavson, pp. 49–60. St. Lucia: University of Queensland.
1992 “Traditional and Contemporary Concerns Relating to Copyright in Papua New Guinea.” Phonographic Bulletin 61 (November): 55–62.
1993 Editor. Lokal Musik: Lingua Franca Song and Identity in Papua New Guinea by Michael Webb. Apwitihire: Studies in Papua New Guinea Musics, 3. Boroko: National Research Institute. xxiii + 296 pp.
1993 “Editor’s Introduction.” In Michael Webb, Lokal Musik: Lingua Franca Song and Identity in Papua New Guinea by Michael Webb, pp. xiii–xix. Apwitihire: Studies in Papua New Guinea Musics, 3. Boroko: National Research Institute.
1993 Commercial Recordings of Papua New Guinea Music; 1989 Supplement. Boroko: National Research Institute. 146 pp.
1993 “Compiling an Annual Catalogue of Commercial Recordings of Papua New Guinea Music: Difficulties and Questions of Inclusion.” IASA Journal 1 (May): 76–82.
1993 with Clement Gima. Commercial Recordings of Papua New Guinea Music; 1990 Supplement. Boroko: National Research Institute. 134 pp.
1993 with Clement Gima. Commercial Recordings of Papua New Guinea Music; 1991 Supplement. Boroko: National Research Institute. 136 pp.
1994 “Religion, Media and Shows: The Effects of Intercultural Contact on Papua New Guinean Musics.” In Music-Cultures in Contact: Convergences and Collisions, ed. Margaret J. Kartomi & Stephen Blum, pp. 84–92. Australian Studies in History, Philosophy & Social Studies of Music, 2. Sydney: Currency Press.
1994 “Religion, Media and Shows: The Effects of Intercultural Contact on Papua New Guinean Musics.” In Music-Cultures in Contact: Convergences and Collisions, ed. Margaret J. Kartomi & Stephen Blum, pp. 84–92. Musicology: A Book Series, 16. Basel: Gordon and Breach.
1994 Editor. Diffusion of Musical Instruments and Their Relation to Language Migrations in New Guinea by Mervyn McLean. Kulele: Occasional Papers on Pacific Music and Dance, 1. Boroko: National Research Institute. xiii + 123 pp.
1994 “Editor’s Preface.” In Diffusion of Musical Instruments and Their Relation to Language Migrations in New Guinea by Mervyn McLean, pp. x–xiii. Kulele: Occasional Papers on Pacific Music and Dance, 1. Boroko: National Research Institute.
1995 “Editorial.” South Pacific Journal of Mission Studies 13 (March): 1.
1995 “Request for Suggestsions for Collections of Publications Concerning Papua New Guinea Music.” In New Guinea Ethnomusicology Conference: Proceedings, ed. Robert Reigle, pp. 66–76. Occasional Papers in Pacific Ethnomusicology, 4. Auckland: University of Auckland.
1995 “Susap: Our Most Widespread Musical Instrument.” Music 1 (July/September): 6.
1995 “Hymns Based on Traditional Yabem Music.” Music 2 (October/December): 6.
1995 Record review of Musik aus dem Bergland West-Neuguinea (Irian Jaya): Eine Klangdokumentation untergehender Musikkulturen der Eipo und ihrer Nachbarn / Music from the Mountainous Region of Western New Guinea (Irian Jaya): A Documentation in Sound of the Vanishing Music Cultures of the Eipo and Their Neighbours (Museum für Völkerkunde, Museum Collection Berlin CD 20). Yearbook for Traditional Music 27: 183–87.
1995 “Brown-Collared Brush-Turkey (Talegalla jobiensis) Used for Drum Skin.” Muruk. 7/1: 39–40.
1996 Editor. Mission and Music: Jabêm Traditional Music and the Development of Lutheran Hymnody by Heinrich Zahn. Translated by Philip W. Holzknecht. Apwitihire: Studies in Papua New Guinea Musics, 4. Boroko: Institute of Papua New Guinea Studies. ciii + 492 pp.
1996 “Editor’s Introduction.” In Mission and Music: Jabêm Traditional Music and the Development of Lutheran Hymnody by Heinrich Zahn, pp. xvii–xcii. Translated by Philip W. Holzknecht. Apwitihire: Studies in Papua New Guinea Musics, 4. Boroko: Institute of Papua New Guinea Studies.
1996 “Questions of Music Copyright in Papua New Guinea.” Perfect Beat 2/4 (January): 58–62.
1996 “The History of the Conch Shell Band.” Music 3 (January–March): 19, 21.
1996 with Clement Gima. Commercial Recordings of Papua New Guinea Music; 1992 Supplement. Boroko: Institute of Papua New Guinea Studies. 111 pp.
1996 Editor. Kulele: Occasional Papers on Pacific Music and Dance, 2. Boroko: Institute of Papua New Guinea Studies. vi + 124 pp.
1996 Book review of An Annotated Bibliography of Oceanic Music and Dance by Mervyn McLean. Kulele: Occasional Papers on Pacific Music and Dance 2: 109–21.
1996 “Editor’s Preface.” Kulele: Occasional Papers on Pacific Music and Dance 2: v–vi.
1996 “An Overview of Hymnody in Papua New Guinea.” Melanesian Journal of Theology 12/1: 7–35.
1997 Editor. Songs of Spirits: An Ethnography of Sounds in a Papua New Guinea Society by Yoichi Yamada. Translated by Jun’ichi Ohno. Apwitihire: Studies in Papua New Guinea Musics, 5. Boroko: Institute of Papua New Guinea Studies. xxxvi + 308 pp.
1997 “Editor’s Introduction.” In Songs of Spirits: An Ethnography of Sounds in a Papua New Guinea Society by Yoichi Yamada, pp. xv–xxii. Translated by Jun’ichi Ohno. Apwitihire: Studies in Papua New Guinea Musics, 5. Boroko: Institute of Papua New Guinea Studies.
1997 “Different Approaches to Papua New Guinea Hymnody: An Overview.” In Worship and Culture: Documentation of an International Study Seminar, Papua New Guinea, September 22 to October 18, 1997, ed. Philipp Hauenstein, pp. 16–24. Neuendettelsau: Institute for Studies of World Mission.
1998 “The Conchshell Band as Preserver of German and Papua New Guinean Lutheran Traditions.” The World of Music 40/2: 53–68.
1998 “Questions of Music Copyright in Papua New Guinea.” In Sound Alliances: Indigenous Peoples, Cultural Politics and Popular Music in the Pacific, ed. Philip Hayward, pp. 123–26. London: Cassell.
1998 “Papua New Guinea: An Overview.” In International Encyclopedia of Dance, ed. Selma Jeanne Cohen, vol. 5, pp. 76–78. New York: Oxford University Press.
1998 with Andrew Strathern. “Papua New Guinea: Melpa Dance.” In International Encyclopedia of Dance, ed. Selma Jeanne Cohen, vol. 5, pp. 84–85. New York: Oxford University Press.
1998 Various articles in Australia and the Pacific Islands, ed. Adrienne L. Kaeppler & J. W. Love. The Garland Encyclopedia of World Music, 9. New York: Garland Publishing: “Encounters among ‘Ourselves’: Papua New Guinean Festivals” (pp. 62–63); “Musical Migrations: Papua New Guinea” (pp. 88–91); “Popular Music: Musical Ensembles: Brasses: Papua New Guinea” (pp. 128–30); “Popular Music: Musical Ensembles: Bagpipes” (pp. 135–36); with Allan Thomas and J. W. Love, “Language in Musical Settings: Strophics” (pp. 330¬–32); “Musical Instruments: Idiophones: Hollowed Log Idiophones of Papua New Guinea” (pp. 375–76); “Musical Instruments: Membranophones: Kundus of Papua New Guinea” (pp. 383–84); “The Music and Dance of New Guinea: Past and Present Cultures” (pp. 474–75); “The Music and Dance of New Guinea: Musical Instruments” (pp. 475–76); “The Music and Dance of New Guinea: Musical Contexts” (pp. 477–78); “The Music and Dance of New Guinea: Words in Musical Settings” (pp. 478–79); “The Music and Dance of New Guinea: The Preservation and Analysis of Performances” (pp. 479–80); “Papuan Region of Papua New Guinea” (pp. 488–91); “Papuan Region of Papua New Guinea: Central Province” (pp. 491–94); “Papuan Region of Papua New Guinea: Milne Bay Province” (pp. 498–99); “Papuan Region of Papua New Guinea: Oro (Northern) Province” (p. 499); “Papuan Region of Papua New Guinea: Western Province” (pp. 505–506); “Highland Region of Papua New Guinea” (pp. 511–14); “Highland Region of Papua New Guinea: Western Highlands Province” (p. 514); “Highland Region of Papua New Guinea: Southern Highlands Province” (p. 536); “Mamose Region of Papua New Guinea” (pp. 545–58); “Mamose Region of Papua New Guinea: East Sepik Province” (pp. 548–49); “Mamose Region of Papua New Guinea: West Sepik Province” (p. 560); “Mamose Region of Papua New Guinea: Madang Province” (p. 561); “Mamose Region of Papua New Guinea: Morobe Province” (p. 566); “Island Region of Papua New Guinea” (pp. 600–602); “Island Region of Papua New Guinea: Manus Province” (p. 602); “Island Region of Papua New Guinea: West New Britain Province” (p. 607); “Island Region of Papua New Guinea: East New Britain Province” (p. 610); “Island Region of Papua New Guinea: New Ireland Province” (p. 626); “Solomon Islands: North Solomons Province, Papua New Guinea” (pp. 630–32); “Archives and Institutional Resources: Archives and Museums in Oceania: Papua New Guinea” (pp. 961–62); “Recordings of Oceanic Music: New Guinea” (pp. 989–90).
1998 “Liaison Officer: Papua New Guinea.” Bulletin of the International Council for Traditional Music 92 (April): 24–27.
1999 Editor. The Value of Indigenous Music in the Life and Ministry of the Church: The United Church in the Duke of York Islands by Andrew Midian. Apwitihire: Studies in Papua New Guinea Musics, 6. Boroko: Institute of Papua New Guinea Studies. xxxvii + 92 pp.
1999 “Editor’s Introduction.” In The Value of Indigenous Music in the Life and Ministry of the Church: The United Church in the Duke of York Islands by Andrew Midian, pp. xi–xvi. Apwitihire: Studies in Papua New Guinea Musics, 6. Boroko: Institute of Papua New Guinea Studies.
2000 with Denis Crowdy, editors. Papers from Ivilikou: Papua New Guinea Music Conference and Festival (1997). Boroko: Institute of Papua New Guinea Studies & University of Papua New Guinea. viii + 182 pp.
2000 with Denis Crowdy. “Editors’ Introduction.” Papers from Ivilikou: Papua New Guinea Music Conference and Festival (1997), ed. Don Niles & Denis Crowdy, pp. v–vii. Boroko: Institute of Papua New Guinea Studies & University of Papua New Guinea.
2000 “Different Approaches to Papua New Guinea Hymnody: An Overview.” Papers from Ivilikou: Papua New Guinea Music Conference and Festival (1997), ed. Don Niles & Denis Crowdy, pp. 107–22. Boroko: Institute of Papua New Guinea Studies & University of Papua New Guinea.
2000 Papua New Guinea (1904–1909): The Collections of Rudolf Pöch, Wilhelm Schmidt, and Josef Winthuis. Book (223 pp.), five compact discs (OEAW PHA CD 9/1–5), and one CD-ROM (OEAW PHA CD-ROM/9). Dietrich Schüller, series editor. Gerda Lechleitner, editor. Erna Mack, music transciptions. Tondokumente aus dem Phonogrammarchiv der Österreichischen Akademie der Wissenschaften: Gesamtausgabe der Historischen Bestände 1899–1950 / Sound Documents from the Phonogrammarchiv of the Austrian Academy of Sciences: The Complete Historical Collections 1899–1950, series 3. Wien: Phonogrammarchiv.
2000 “An Attempt at Surveying Musical Knowledge among Hiroshima University Students.” Journal of International Development and Cooperation 6/1: 255–68.
2000 “Polynesian Hymns in Papua: The Synthesis of a Christian Educational Tool and Local Creative Expression.” Journal of International Development and Cooperation 6/1: 145–58.
2000 [Information on recordings by Rudolf Pöch 1904 and Heinrich Zahn 1928 from the Berlin Phonogramm-Archiv]. In Music! 100 Recordings, 100 Years of the Berlin Phonogramm-Archiv, 1900–2000, ed. Artur Simon & Ulrich Wegner, pp. 46–48, 50–53. Berlin: Phonogramm-Archiv, Ethnologisches Museum. [with four compact discs, Wergo LC 06356]
2000 “Stealing Music from/in Papua New Guinea.” In Protection of Intellectual, Biological and Cultural Property in Papua New Guinea, ed. Kathy Whimp & Mark Busse, pp. 116–24. Canberra: Asia Pacific Press; Port Moresby: Conservation Melanesia Inc.
2001 “Publication of Early Papua New Guinea Recordings: The Vienna Collections.” Oceania Newsletter 26 (March 2001): 1–3.
2001 Editor. Kulele: Occasional Papers on Pacific Music and Dance 3. Boroko: Institute of Papua New Guinea Studies. vi + 124 pp.
2001 “Editor’s Preface.” Kulele: Occasional Papers on Pacific Music and Dance 3: v–vi.
2001 with Julie To’Liman-Turalir & Michael Webb. “Editors’ Introduction to Krähenheide’s ‘Music of the Gunantuna in the Vicariate of Rabaul (New Guinea).’” Kulele: Occasional Papers on Pacific Music and Dance 3: 1–4.
2001 with Julie To’Liman-Turalir & Michael Webb, editors. “Music of the Gunantuna in the Vicariate of Rabaul (New Guinea)” by Anton Krähenheide. Translated by Christiana Hawkins. Kulele: Occasional Papers on Pacific Music and Dance 3: 5–49.
2001 “Melanesia, §III. Papua New Guinea.” In The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie, vol. 16, pp. 308-14. 29 vols. 2d edition. London: Macmillan.
2001 Technical editor. Traditionalism and Modernity in the Music and Dance of Oceania: Essays in Honour of Barbara B. Smith, ed. Helen Reeves Lawrence. Oceania Monograph, 52. Sydney: University of Sydney. xviii + 267 pp.
2001 “‘Local’ and ‘Foreign’ Ethnomusicological Writings in Papua New Guinea.” In Traditionalism and Modernity in the Music and Dance of Oceania: Essays in Honour of Barbara B. Smith, ed. Helen Reeves Lawrence, pp. 121–37. Oceania Monograph, 52. Sydney: University of Sydney.
2001 Book review of Songs of Tuvalu by Gerd Koch. Journal of the Polynesian Society 110/4 (December): 416–18.
2002 “The Contribution of the Berlin Phonogramm-Archiv to the Study of Papua New Guinea Musics.” In Music Archiving in the World: Papers Presented at the Conference on the Occasion of the 100th Anniversary of the Berlin Phonogramm-Archiv, ed. Gabriele Berlin, & Artur Simon, pp. 189–200. Berlin: Verlag für Wissenschaft und Bildung.
2003 Editor. Nä Kkai Takü: Takü’s Musical Fables by Richard M. Moyle. English translations by Natan Nake and Tekaso Laroteone. Apwitihire: Studies in Papua New Guinea Musics, 7. Boroko: Institute of Papua New Guinea Studies. xxx + 147 pp.
2003 “Editor’s Introduction.” In Nä Kkai Takü: Takü’s Musical Fables by Richard M. Moyle, pp. ix–xiv. Apwitihire: Studies in Papua New Guinea Musics, 7. Boroko: Institute of Papua New Guinea Studies.
2003 “Luksave long wanpela bikman bilong PNG musik: Ray Sheridan (1916–2003).” Wantok (4–10 Desemba): 21.
2004 “Music Pioneer Passes Away.” Post-Courier (2–4 January): 14.
2004 Editor. The Theory and Practice of the Music in the Seventh-day Adventist Church in Papua New Guinea by Jennifer J. Jones. Apwitihire: Studies in Papua New Guinea Musics, 8. Pacific Adventist University Monographic Series, 1. Boroko: Institute of Papua New Guinea Studies. xxviii + 258 pp.
2004 “Editor’s Introduction.” In The Theory and Practice of the Music in the Seventh-day Adventist Church in Papua New Guinea by Jennifer J. Jones, pp. xv–xxv. Apwitihire: Studies in Papua New Guinea Musics, 8. Pacific Adventist University Monographic Series, 1. Boroko: Institute of Papua New Guinea Studies.
2004 with Jennifer J. Jones. “Hymnody in the Adventist Church.” Section in chapter 3 of The Theory and Practice of the Music in the Seventh-day Adventist Church in Papua New Guinea by Jennifer J. Jones, pp. 70–179. Apwitihire: Studies in Papua New Guinea Musics, 8. Pacific Adventist University Monographic Series, 1. Boroko: Institute of Papua New Guinea Studies.
2004 “Pasin bilong Stori long Stail bilong Singsing.” Wantok (25–31 Mas): 20.
2004 “Reclaiming the Past: The Value of Recordings to a National Cultural Heritage.” In Archives for the Future: Global Perspectives on Audiovisual Archives in the 21st Century, ed. Anthony Seeger & Shubha Chaudhuri, pp. 196–206. New Delhi: American Institute of Indian Studies; Calcutta: Seagull Books.
2004 Compact disc review of Muo Remé: Dance of the Cassowary. Yearbook for Traditional Music 36: 206–7.
2005 “Liaison Officer Report: Papua New Guinea.” Bulletin of the International Council for Traditional Music 106 (April): 62–65.
2005 Compact disc review of Panpipes Across the Ocean: A Production of Popular Tunes from the South Pacific Islands. The Contemporary Pacific: A Journal of Island Affairs 17/1 (Spring): 266–68.
2005 “PNG Institut kisim ol olpela musik rekoting bilong Sepik long Amerika.” Wantok (21–27 Epril): 20–21.

Publications, recorded:
1981 Songs of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 3-2. Cassette No. 2B8, 3A1.
1981 Kovai and Adzera Music—Morobe Province. Cassette IPNGS 002C. Recordings by Bergh Amos, Thomas Lulungan, Don Niles and Jesse Pongap.
1982 Songs of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 3-3. Cassette No. 3A3–3A4.
1983 Music of the Anga. Cassette IPNGS 006C. Recordings by Bergh Amos, Ilaita T. K. Gigimat, Lisa Lawson, and Don Niles.
1983 Instrumental Music of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 2-2. Cassette No. 2B4–2B5, 2B10.
1983 Highlights of Instrumental Music of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series UNE-1. Cassette A17, A19.
1983 Sogeri Singsing; Music of Papua New Guinea. Cassette Sogeri National High School.
1985 Instrumental Music of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 2-3. Cassette No. 2B8–2B9, B12.
[1985?] The Sixth Asian Music Rostrum. 6 discs Korean Grammophone Record No. 38431/3, 38436/2.
1986 with Michael Webb. Riwain! Papua New Guinea Pop Songs. 2 cassettes IPNGS 007.
1986 Favourite Melodies of Asia and the Pacific: Special Selection Edition for General Use. Asia/Pacific Co-production Programme for Unesco, Series SSE-2. Cassette B 10.
1986 Looking Around Museums in Asia and the Pacific; From Archaeology to Telecommunications. Asian Cultural Centre for Unesco, Cultural Kit 4.
1987 with Michael Webb. Papua New Guinea Music Collection. 11 cassettes IPNGS 008.
1988 Folk Songs of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 4-1. Cassette E2–8.
1988 with Michael Webb. Papua New Guinea Music Collection—Selections. Cassette IPNGS 009.
1990 with Michael Webb. Ol Singsing Bilong Ples. 2 cassettes IPNGS 010.
1990 Folk Songs of Asia and the Pacific. Asia/Pacific Co-production Programme for Unesco, Series 4-2. Cassette E1–2, E4.
1998 Klangfarben der Kulturen: Musik aus 17 Ländern der Erde. Staatliche Museen zu Berlin: Preußischer Kulturbesitz, Museum für Völkerkunde. Compact disc. Track 11: “Abang intsu konokon” (Wampar).
2004 with Kirsty Gillespie, Alan Rumsey, Nicole Haley, Laurence Goldman, and Philip Gibbs. Chanted Tales from the Papua New Guinea Highlands: An Audio Sampler of Regional Styles. Compact disc.

Publications, video:
1995 Ethnomusicologist. “Sede.” Musical Instruments of Asia and the Pacific. Asian/Pacific Music Materials Co-production Programme, Asian/Pacific Cultural Centre for Unesco, MCP Series 5.
1997 Ethnomusicologist. “Dahu’ (conch shell trumpet).” Musical Instruments of Asia and the Pacific, 2. Asian/Pacific Music Materials Co-production Programme, Asian/Pacific Cultural Centre for Unesco, MCP Series 5.