Yearbook for Traditional Music. Vol. 51 (2019)

This is the first issue of the Yearbook for Traditional Music which was published by Cambridge University Press.

General Editor: Tong Soon Lee

‘Exploring Creativity in Traditional Music’ by Bell Yung
‘Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre’ by Klisala Harrison
‘When K-Pop and Kugak Meet: Popularising P’ansori in Modern Korea’ by Anna Yates-Lu
‘Ratoeh Jaroe: Islam, Youth, and Popular Dance in Jakarta, Indonesia’ by Maho A. Ishiguro
‘Ancient Sounds in the New World: Syro-Maronite Chant in Lebanese Maronite Communities in the United States’ by Guilnard Moufarrej
‘On Diasporic Generation and Syrian-Argentine Musicking in Buenos Aires, Argentina’ by Andrea Shaheen Espinosa
‘“Nothing Happened Without Music”: Teaching and Learning the Anatolian Bağlama in Berlin’ by Michael O’Toole
‘Contraculture: Bird Names and the Degendering of Contra Dance’ by Andrew Snyder
‘Subjunctive Masculinities: Making Men Through Music and Ritual in Northern Ghana’ by Karl J. Haas
‘Policing Space and Defying the Mainstream: Gender and the Creation of a Traditional Music Public Sphere in Twentieth-Century Ireland’ by Tes Slominski

Harris, Rachel, and Rowan Pease, eds. Pieces of the Musical World: Sounds and Cultures. Review by Daniel Avorgbedor
Freedman, Jean R. Peggy Seeger: A Life of Music, Love, and Politics. Review by Christa Anne Bentley
Davis, Ruth F., ed. The Oriental Music Broadcasts, 1936–1937: A Musical Ethnography of Mandatory Palestine. Review by

Beau Bothwell

Castelo-Branco, Salwa El-Shawan, and Susana Moreno Fernández. Music in Portugal and Spain. Review by Katherine Brucher
Baym, Nancy K. Playing to the Crowd: Musicians, Audiences and the Intimate Work of Connection. Review by Raquel Campos
Wise, Timothy E. Yodeling and Meaning in American Music. Review by Helen Hahmann
Kafumbe, Damascus. Tuning the Kingdom: Kawuugulu Musical Performance, Politics, and Storytelling in Buganda. Review by Pete Hoesing
O’Connell, John Morgan. Commemorating Gallipoli Through Music: Remembering and Forgetting. Review by Keith Howard
Hahmann, Helen. Wir singen nicht, wir sind die Jodler: Ethnologische Perspektiven auf das Jodeln im Harz. Review by Ricarda Kopal
Lundberg, Dan. Singing Through the Bars: Prison Songs as Identity Markers and as Cultural Heritage. Review by Anna Papaeti
Chávez, Alex E. Sounds of Crossing: Music, Migration, and the Aural Poetics of Huapango Arribeño. Review by Brenda M. Romero
Maliangkay, Roald. Broken Voices: Postcolonial Entanglements and the Preservation of Korea’s Central Folksong Traditions. Review by Ivanna Yi

Ethiopian Urban and Tribal Music. Review by Andrew Alter
Salamander: Como La Rosa. Review by Katerina García
Soothing Songs for Babies / Berceuses du Monde. Review by Kirsty Gillespie
The Liturgy of Beta Israel: Music of the Ethiopian Jewish Prayer. Review by Steven Kaplan
Transmisión en la eritá meta. Review by Ruthie Meadows
Music of Morocco. Review by Miriam Rovsing Olsen
Aromanian Songs from Drenova / Këngë Arumune të Drenovës. Review by Eckehard Pistrick
Yurntumu-wardingki Juju-ngaliya-kurlangu Yawulyu: Warlpiri Women’s Songs from Yuendumu. Review by Sally Treloyn

Crossing over the Arirang Pass. Review by Soo-Hye Han
Polyphonic Lullabies of Kakheti. Review by Caroline Bithell
Music in the Life of a Balbalasang Village, Northern Philippines; Sounds of Bliss, Echoes of Victory: A Kalinga Wedding in the Northern Philippines; Kulintang Gong Music from Mindanao in the Southern Philippines; Maranao Culture at Home and in Diaspora. Review by Fredeliza Campos
Griot; The Voice of the Kora. Review by Leonardo D’amico
Ballad on the Shore. Review by Chen Chih-Ting Timmy
The Owners of the Land: Culture and the Spectre of Mining in the Andes. Review by María Mercedes Vázquez Vázquez and Adriana Martínez Falcón

“Start the Forgetting Machine! A Review of Online Sound Archives of European Traditional Music”. Review by Tom Western
Folkstreams. Review by Michael B. Macdonald
“Unreserved”. Review by Liz Przybylski

International Council for Traditional Music